Driven by curiosity and innocence, to find what lies underneath the
surface. (English episode) Erik Spiekermann‘s greatest gift is that
he never stopped thinking like a child. He’s still driven by the
same stubborn persistence, by a tireless curiosity, and the
imperturbable will to find out what lies underneath the surface.
The acclaimed designer and typographer, responsible for the
corporate looks of brands like Audi, Bosch, and Deutsche Bahn,
creator of Meta – the Helvetica of the 90s – and the man who
decided that the BVG, Berlin’s public transportation system, needs
to be yellow, is basically still a child, just in the body of a
man. As a teenage boy, Erik was already fascinated by press
printing. He got his first printing machine from his father, a
mechanic who Erik thinks passed his strong passion for heavy
machinery and their mysteries on to him. Whenever he got the
chance, he sneaked into a friend’s printing firm at night, trying
to figure out how all of this works. Setting type and ruining one
plate after the other until he internalized the concept – letting
any proof of his failed attempts vanish by dawn – but when he
finally filled the white pages with his own hands and ideas he was
hooked. Post-war Germany wasn’t an easy playing field for a
pubescent boy and young man, chances had to be made by yourself and
Erik created plenty of them. First in Berlin, then he moved to
London in the 60s with his young family, always managing to
convince the people around him that he has the ideas that they
need. It only takes a few seconds to understand how Erik always
manages to get people’s full attention – and their trust. He is
very charming but he is also a road roller. For the podcast
recording at my place, he ran up the stairs with his racing bicycle
on his shoulder (mind he’s born 1947), he wasn’t out of breath at
all but ready to dive into hours of talking about design, life, and
food. Erik used to often bake with his mother, never measuring
anything, but sensitively adjusting texture, taste, and smell by
feeling. Even then he didn’t need anyone to tell him what to do,
just a mother who taught him to refine his senses and listen to
them. He is still very protective of his ideas and visions,
fighting for them if need be, summed up in one of his many popular
quotes: “Don’t work for assholes. Don’t work with assholes.“ After
years of designing and teaching, Erik decided to go back to his
roots. All his printing equipment burnt in a severe fire in London
in the 70s. A painful chapter that he never felt he had closed, a
story he still wanted to continue writing, so he
founded p98a a few years ago. It’s a Berlin based
non-profit experimental letterpress workshop stuffed with old
equipment dedicated to letters, printing, and papers. Together with
a group of designers, he passes his knowledge and skills on to the
next generation and enjoys the play of old traditional analogue
equipment and new digital technologies. You can order books,
or posters and postcards with Erik’s quotes and wisdoms, and join
workshops with the master himself. Erik and his wife, Susanna,
shared the recipe for their Lemony Mushroom Risotto with me. You
can find all the blog posts about the podcast episodes including my
guests' recipes on meikepeters.com under 'Meet in Your Kitchen'.
INSTAGRAM: https://www.instagram.com/meetinmykitchenpodcast GUEST:
https://spiekermann.com/en https://www.instagram.com/espiekermann
https://www.instagram.com/p98a RECIPE:
https://www.meikepeters.com/meet-in-your-kitchen-erik-spiekermanns-lemony-mushroom-risotto
MUSIC: Martin Stumpf FRÜHSCHOPPEN: Ferrari Trento SOUND MIX: Kraatz
Studios https://kraatzstudios.com MEIKE PETERS: Newsletter:
https://www.meikepeters.com/subscribe-2 Blog:
https://www.meikepeters.com Instagram:
https://www.instagram.com/eatinmykitchen Facebook:
https://www.facebook.com/eatinmykitchen Cookbooks:
https://www.meikepeters.com/cookbooks
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