#16: Frantz Fanon at 100 – Third Cinema, the Self, and the World

In this episode of film.macht.kritisch., I pay tribute to Frantz
Fanon (1925–1961)—psychiatrist, anticolonial writer, and
revolutionary thinker—on the occasion of his 100th birthday. I
explore how his thought continues to echo in cinema, especially
in the tradition of Third Cinema, and invite you to consider how
films can not just represent but intervene.


Themes of this episode include:




A concise overview of Fanon’s life and core texts (Black
Skin, White Masks; The Wretched of the Earth)




A clear unpacking of Third Cinema and its call for film as
cine-acto—a political gesture that compels us to act




Close readings of two key works: Gillo Pontecorvo's The
Battle of Algiers (1966) and Isaac Julien’s Frantz Fanon:
Black Skin, White Mask (1996)




Three Fanonian threads across the films: the “white mask“,
the veil, and anticolonial violence, and how each interplay
with form and subjectivity




Why Fanon still matters: watching these films asks us to work
actively—doubt images, decode ideology, feel the pressure of
the colonial, racist white mask, recognize the contested sign
of the veil, and test the justifications for violence




Re-watch these films with Fanon in mind: they demand more than
passive viewing. They demand analysis, feeling, and political
imagination.


All key findings from this episode are derived from my 2012 essay
“The Battle of Algiers and Frantz Fanon: Black Skin, White Mask
as examples of Third Cinema and Frantz Fanon’s influence on it“
(Goldsmiths College, University of London).