Chapter 2: Make it like Greece!

Holly and Chris’s dreams come true as they chat with members of the
original cast of Carrie the Musical over wine, including Charlotte
D’Amboise (Chris), Sally Ann Triplett (Sue) and legendary OG Carrie
White herself, Linzi Hateley, not to mention several members of the
half-British, half-American ensemble and crew. The cast share their
audition stories and their first experiences in the rehearsal room
- including their memories of navigating the unusual
choreographer/director pairing of Debbie Allen and Terry Hands -
and describe what happens when you throw together 30 young, sexy
musical theatre performers in a quaint English town full of pubs.
We also investigate why the Royal Shakespeare Company got involved
in all this chaos in the first place, and learn the truth about an
infamous misunderstanding that will define the iconic design of
this very unusual musical. Join us on our social channels and share
your feedback! Instagram Facebook Twitter Out for Blood is hosted
by Holly Morgan and Chris Adams, edited by Tom Moores, with
original music by Odinn Orn Hilmarson and artwork by Rebecca Pitt.
Out for Blood is a proud member of the Broadway Podcast Network.
NEW! Chris's book Out for Blood: a Cultural History of Carrie the
Musical is out now - order from the publisher or all good book
stores. You can now also order OFB t-shirts, hoodies, totes,
stickers, pins and more here! Thanks this week to Dean Pitchford,
Linzi Hateley, Sally Ann Triplett, Charlotte D’Amboise, Georgia
Otterson, Michelle Du Verney, Shelley Hodgson, Suzanne Thomas, Joey
McKneeley, Kenny Linden, Eric Gilliom, Michelle Nelson Manne,
Jeremy Sturt, Wendi Peters and Mark Shenton. THIS WEEK’S LINKS: The
RSC was inspired to develop Carrie after its first commercial
musical Les Miserables was a hit in London and New York - clips
from the original production (and here’s the legendary Linzi
Hateley performing in it after leaving Carrie). Carrie co-producer
Fritz Kurtz had found success transferring English mega-musicals to
Germany including Starlight Express, which is still running. Terry
Hands defends the unusual production model of Carrie in this 1988
Washington Post article. Imelda Staunton as a mature Dorothy in the
RSC’s The Wizard of Oz Debbie Allen as Lydia Grant in Fame. The
iconic Barbara Cook in the 1960 production of The Music Man.
Darlene Love sings on Phil Spector’s Christmas (Baby Please Come
Home). It may be January but we can still enjoy this. The talented
Gene Anthony Ray dances in Fame. The Carrie Playbill, featuring the
ensemble playing themselves. Please note that we don’t own any of
the content above and we’re not responsible for the content of
third-party links – enjoy! Learn more about your ad choices. Visit
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