Emmy-nominated director and cinematographer Paul Cameron, ASC: Westworld, 21 Bridges, Man on Fire, Gone in 60 Seconds, Collateral
Paul Cameron, ASC got his start guerilla-shooting live music with
borrowed equipment from film school. Starting off in the budding
world of music videos and fast-paced commercials creatively
prepared Paul for the action/thriller genre.
54 Minuten
Podcast
Podcaster
Beschreibung
vor 5 Jahren
Paul Cameron, ASC got his start guerilla-shooting live music with
borrowed equipment from film school. Starting off in the budding
world of music videos and fast-paced commercials creatively
prepared Paul for the action/thriller genre. Paul met
cinematographer-turned-director Dominic Sena, who gave him the
opportunity to shoot Paul's first feature, Gone in 60 Seconds. They
were able to collaborate and communicate with a shared visual
language. Later, Paul's work on the film Man on Fire with director
Tony Scott allowed him to really hone his look. Though he prefers
to use film cameras, Paul had the opportunity to shoot Michael
Mann's Collateral with digital cameras, one of the first major
films to use the technology. Jonathan Nolan, the director and
producer of the HBO series, Westworld, asked Paul to shoot the
pilot before there was even a script. They quickly decided to shoot
on 35 mm to capture the grand scale of the western landscape. For
season three of Westworld, Paul was the director of photography for
the first episode, and has earned an Emmy nomination for his work.
He also had the opportunity to direct episode four of the series
for the very first time and really enjoyed it. Westworld will
return for Season 4. Find Paul Cameron: https://paulcamerondp.com/
Instagram: @paulcameron_dp See Westworld on HBO:
https://www.youtube.com/watch?v=yvGE7Cz9VDA Find out even more
about this episode, with extensive show notes and links:
http://camnoir.com/ep88/ Sponsored by Hot Rod Cameras:
www.hotrodcameras.com Website: www.camnoir.com Facebook: @cinepod
Instagram: @thecinepod Twitter: @ShortEndz
borrowed equipment from film school. Starting off in the budding
world of music videos and fast-paced commercials creatively
prepared Paul for the action/thriller genre. Paul met
cinematographer-turned-director Dominic Sena, who gave him the
opportunity to shoot Paul's first feature, Gone in 60 Seconds. They
were able to collaborate and communicate with a shared visual
language. Later, Paul's work on the film Man on Fire with director
Tony Scott allowed him to really hone his look. Though he prefers
to use film cameras, Paul had the opportunity to shoot Michael
Mann's Collateral with digital cameras, one of the first major
films to use the technology. Jonathan Nolan, the director and
producer of the HBO series, Westworld, asked Paul to shoot the
pilot before there was even a script. They quickly decided to shoot
on 35 mm to capture the grand scale of the western landscape. For
season three of Westworld, Paul was the director of photography for
the first episode, and has earned an Emmy nomination for his work.
He also had the opportunity to direct episode four of the series
for the very first time and really enjoyed it. Westworld will
return for Season 4. Find Paul Cameron: https://paulcamerondp.com/
Instagram: @paulcameron_dp See Westworld on HBO:
https://www.youtube.com/watch?v=yvGE7Cz9VDA Find out even more
about this episode, with extensive show notes and links:
http://camnoir.com/ep88/ Sponsored by Hot Rod Cameras:
www.hotrodcameras.com Website: www.camnoir.com Facebook: @cinepod
Instagram: @thecinepod Twitter: @ShortEndz
Weitere Episoden
1 Stunde 21 Minuten
vor 11 Monaten
1 Stunde 8 Minuten
vor 11 Monaten
1 Stunde 8 Minuten
vor 11 Monaten
1 Stunde 14 Minuten
vor 1 Jahr
1 Stunde 8 Minuten
vor 1 Jahr
In Podcasts werben
Kommentare (0)