Cinematographer Flavio Labiano on Jungle Cruise, Timecrimes, Day of the Beast, and more

Cinematographer Flavio Labiano doesn't consider himself an artist
with a capital “A” but more of a craftsperson. To him,
cinematography is a craft that you learn by making mistakes and
taking risks, like any other craft that you hone and improve over
time. On Disney's Jungle Cruise, Flavio found the planning and
pre-production stages of the huge-scale movie to be especially
challenging. It was about 100 days of planning, with two different
sets- one in Hawaii and one in Atlanta, Georgia, and with the
second unit shooting footage in the Amazon to use as background
plates. All the exterior tank work was done in front of a blue
screen in a parking lot in Atlanta. The town of Porto Velho, where
the jungle cruise adventure begins, was mainly shot in Hawaii.
Flavio paid close attention to the orientation of the sun in order
to match the set in Hawaii with the set in Atlanta. He also had to
match the hard sunlight in the South to the sunlight in Hawaii, and
the crew had to deal with the constant interruptions of summer
afternoon rainstorms in Georgia. Flavio and Jungle Cruise director,
Jaume Collet-Serra, have worked together on several films including
The Shallows, another movie that takes place mostly in water.
Flavio grew up in Spain, then moved to Los Angeles to attend AFI.
He found his first film jobs working for Roger Corman's studio
alongside Wally Pfister, Phedon Papamichael, and Janusz Kaminski.
Flavio moved back to Spain for film work and has made most of his
career there with movies such as The Day of the Beast, which was a
huge commercial success in Spain, and Timecrimes, an exciting
and mind-bending thriller. Shortly after Timecrimes, he and fellow
Spaniard, director Jaume Collet-Serra began working together.
Influenced by director Alfred Hitchcock, who enjoyed making
thrillers with characters who are celebrities, the two made Nonstop
and Unknown with Liam Neeson. You can watch Jungle Cruise on
Disney+ Find out even more about this episode, with extensive show
notes and links: http://camnoir.com/ep135/ Sponsored by Hot Rod
Cameras: www.hotrodcameras.com The Cinematography Podcast website:
www.camnoir.com YouTube:
https://www.youtube.com/c/TheCinematographyPodcast Facebook:
@cinepod Instagram: @thecinepod Twitter: @ShortEndz