Lessons in Chemistry: DP Zachary Galler’s visual formula

Lessons in Chemistry: DP Zachary Galler’s visual formula

The Apple TV+ show, Lessons in Chemistry, is a period piece set in the 1950s. Elizabeth Zott (Brie Larson) is a brilliant chemist whose career is derailed by sexism. Denied her scientific aspirations, she finds an unexpected platform hosting a cooking ...
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The Apple TV+ show, Lessons in Chemistry, is a period piece set in
the 1950s. Elizabeth Zott (Brie Larson) is a brilliant chemist
whose career is derailed by sexism. Denied her scientific
aspirations, she finds an unexpected platform hosting a cooking
show, using it to empower women and challenge societal norms.
Zachary Galler, one of the Emmy-nominated cinematographers behind
the stunning visuals of Lessons in Chemistry, brought a unique
perspective to the 1950s drama. Rather than indulging in nostalgia,
Zack aimed to create a lived-in world that resonated with
contemporary audiences. The team chose the ARRI Alexa Mini LF
camera because it handles natural light very well. After many lens
tests, they picked Canon K 35 lenses, which Zack felt were quite
flattering. One of the show's most visually striking settings was
the chemistry lab. While it might seem like a dream location for a
cinematographer, Zack found unique challenges. "So much of what
chemists do is pouring clear liquids into other clear liquids," he
explained. To overcome this, Zack focused on creating spaces that
allowed for dynamic performances, emphasizing natural light and
embracing imperfections to enhance the authenticity of the scenes.
Zack and his team meticulously planned their shots, opting for side
lighting to draw viewers into the characters’ worlds. They also
employed practical techniques like dollies and Steadicams for
dynamic walk-and-talk scenes. To capture the era's aesthetic,
Galler developed a custom LUT inspired by vintage food photography.
However, the power of the performances ultimately led to a decision
to tone down the LUT, allowing the actors to shine without visual
distractions. Collaborating with fellow cinematographer Jason Oldek
on the series was a highlight for Zack. "I feel like what’s really
successful about the show is the comprehensive world-building that
we did," he said. Together, they crafted a visual language that
captured the essence of the 1950s without resorting to clichés,
creating a world that felt both familiar and fresh. Find Zachary
Galler: https://www.zacharygaller.com/ Instagram: @zachary_galler
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Cinematography Podcast website: www.camnoir.com Facebook: @cinepod
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