The Labyrinthine Worlds of Chris Dench
1 Stunde 52 Minuten
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Beschreibung
vor 5 Jahren
Chris Dench was born in London in 1953. After periods
living in Tuscany and West Berlin, the latter as a guest of the
DAAD Berliner Kunstlerprogramm, he finally arrived to settle in
Australia; he became an Australian citizen in 1992.
He has had works commissioned by ensembles and individuals on
three continents and is particularly recognized as a composer for
solo woodwind instruments, having composed fourteen pieces for
the genre at last count. He has enjoyed a close
relationship with Australia's ELISION ensemble for over fifteen
years; he has also had fruitful collaborations with other
musicians, including, in the last few years, Kathleen Gallagher,
Mark Knoop, Geoffrey Morris, Peter Neville, Marilyn Nonken,
Michael Norsworthy, Carl Rosman, and the Libra ensemble.
His works have enjoyed extensive performances, recordings, and
broadcasts in Europe, Australia, North America, and Asia,
including the Huddersfield Festival, the Darmstadt Ferienkurse
fur Neue Musik, Music of Changes in Los Angeles, the Clarice
Smith Performing Arts Center at Maryland, the Hong Kong ISCM/ACL
World Music Days, ForumMusic Taipei, and the Gobi Desert.
In 2002 Peter Neville, Guy DeBlét, Elizabeth Davis, Eugene
Ughetti, Mark Knoop, and conductor Carl Rosman gave the
long-delayed first performances of his 1994 percussion quartet
beyond status geometry. More recently, ELISION recorded for NMC a
disc of his music including ik(s)land[s] and the blinding access
of the grace of flesh.
Chris Dench’s website
**
MUSICAL EXCERPTS (in order):
Funk, by Chris Dench
Carl Rosman, clarinet; Peter Neville, percussion
From the NMC Records release ik(s)land[s]
Ik(s)land[s], by Chris Dench
ELISION
Deborah Kayser, mezzo-soprano
Carl Rosman, conductor
**
ORDER SAMUEL ANDREYEV’S NEWEST RELEASE
Iridescent Notation
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LINKS
YouTube channel
Official Website
Edition Impronta, publisher of Samuel Andreyev’s scores
EPISODE CREDITS
Spoken introduction: Maya Rasmussen
Podcast artwork photograph 2019 Philippe Stirnweiss
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