Colin Matthews and Julian Anderson: a conversation among composers

In this episode I present a 3-way conversation between English
composers Colin Matthews, Julian Anderson and
myself.


Colin Matthews was born in London in 1946. He studied with
Arnold Whittall and Nicholas Maw; in the 1970s he was assistant
to Benjamin Britten, and worked for many years with Imogen Holst.
His collaboration with Deryck Cooke on the performing version of
Mahler’s Tenth Symphony lasted from 1963 until its publication in
1975. Over four decades his music has ranged from solo piano
music through five string quartets and many ensemble and
orchestral works. He was Associate Composer with the London
Symphony Orchestra between 1992 and 1999, and
Composer-in-Association with the Hallé from 2001-10, now their
Composer Emeritus. 


Colin Matthews’ music is published by Faber Music.

Julian Anderson is one of the most talented composers of
his generation. Born in London in 1967, he studied with John
Lambert, Alexander Goehr and Tristan Murail and first came to
prominence when his orchestral Diptych (1990) won the RPS
Composition Prize in 1992.  Anderson has held Composer in
Residence positions with the City of Birmingham Symphony,
Cleveland and London Philharmonic orchestras, relationships which
produced an impressive body of orchestral works including
Stations of the Sun (1998, a BBC Proms Commission) and Eden
(2005, Cheltenham Festival). Fantasias (2009), written for the
Cleveland Orchestra, won a British Composer Award and The
Discovery of Heaven (2011), a co-commission by the New York
Philharmonic and the London Philharmonic Orchestra was awarded a
South Bank Sky Arts Award. Both works were recorded by the LPO
live label.


 Anderson has enjoyed commissions from bodies including the
BCMG, London Sinfonietta, Asko-Schönberg Ensemble and Cheltenham
Festival. Book of Hours for ensemble and electronics (2004) won
the 2006 RPS Award for Large Scale Composition and featured on a
NMC portrait disc. This was one of two recordings of his music to
be nominated for a 2007 Gramophone Award, the other being the
eventual winner, Alhambra Fantasy (Ondine).  Poetry Nearing
Silence (1997), originally a commission from the Nash Ensemble,
was later arranged to become a successful ballet choreographed by
Mark Baldwin. In 2009, Anderson and Baldwin collaborated again on
a Darwin-inspired ballet, The Comedy of Change, which toured
nationally.

Julian Anderson's music is published by Faber Music and by Schott
Music.


More about Julian Anderson
More about Colin Matthews

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EPISODE CREDITS
Podcast artwork photograph 2019 Philippe Stirnweiss


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