Track Changes: Publishing in the Time of COVID
Publishing experts discuss how the global pandemic, and widespread
shelter-in-place laws have changed their jobs, how publishers have
responded to the uncertain retail market, what books are more or
less likely to sell in this climate, and what all writer
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vor 5 Jahren
Track Changes: Publishing in the Time of COVID
Publishing experts discuss how the global pandemic, and
widespread shelter-in-place laws have changed their jobs, how
publishers have responded to the uncertain retail market, what
books are more or less likely to sell in this climate, and what
all writers should be focused on during this time.
The following agents were interviewed for this episode:
Faye Bender, partner and founder of The Book Group, who
represents authors such as Courtney Summers (listen to her First
Draft podcast here and here), Maurene Goo (listen to her First
Draft podcasts here, here, and hear her interview Sarah Enni
here), and Jennifer de Leon (listen to her FIrst Draft podcast
here, and follow her publishing journey in Track Changes,
starting with Episode 1).
Sarah Burnes with The Gernert Company, who represents Margaret
Stohl (listen to her First Draft interviews here and here),
Heather Havrilesky, Zan Romanoff (listen to her First Draft
interviews here and here), and me (hear Sarah and I discuss the
lead-up to the release of my debut novel, Tell Me Everything,
here).
Seth Fishman, he’s an author and literary agent with The Gernert
Company and manager of their West Coast office. He reps clients
such as John Joseph Adams, Ali Almossawi, and Kate Beaton.
Kristin Nelson, founder of Nelson Literary Agency, who represents
authors like Marie Lu (listen to her First Draft interviews here,
here, and here), Ally Carter, and Simone Elkeles.
Holly Root, literary agent and founder of Root Literary who
represents clients such as Victoria Schwab (hear her First Draft
interview here), Jasmine Guillory (listen to her First Draft
interview here), and Christina Lauren.
Discussed in this episode:
Don’t miss the previous episodes of Track Changes: Publishing
101 (listen on the website; Apple Podcasts; Spotify; or
Stitcher); and Agents: Who Are They And How Do I Get One?
(listen on the website; Spotify; or Stitcher)
More Information:
“The Coronavirus Takes Its Toll on Publishing” in Publishers
Weekly
“The Deals Are Alright” in PublishersMarketplace (Sub.
reqrd.)
“Virtual Author Events Are the Next Big Thing” in Publishers
Weekly
“Print Unit Sales Flat in April” in Publisher's Weekly
Furloughs, firings, and layoffs covered in a few places: “UTA
Instituting Temporary Furloughs To Start In A Few Weeks,
Mostly Assistants,” in Deadline;
Want more information? Sign up for a free 30-day trial of the
Track Changes newsletter, which goes a step (or two) further
behind the scenes into the publishing world.
Support First Draft by subscribing to the podcast wherever you
listen (on Apple Podcasts, Spotfiy, Stitcher, or elsewhere), and
leave a rating or review on Apple Podcasts. You can donate to the
podcast, on a one time or monthly basis.
Track Changes is produced by Hayley Hershman. Zan Romanoff is the
story editor. The music was composed by Dan Bailey, and the logo
was designed by Collin Keith.
Publishing experts discuss how the global pandemic, and
widespread shelter-in-place laws have changed their jobs, how
publishers have responded to the uncertain retail market, what
books are more or less likely to sell in this climate, and what
all writers should be focused on during this time.
The following agents were interviewed for this episode:
Faye Bender, partner and founder of The Book Group, who
represents authors such as Courtney Summers (listen to her First
Draft podcast here and here), Maurene Goo (listen to her First
Draft podcasts here, here, and hear her interview Sarah Enni
here), and Jennifer de Leon (listen to her FIrst Draft podcast
here, and follow her publishing journey in Track Changes,
starting with Episode 1).
Sarah Burnes with The Gernert Company, who represents Margaret
Stohl (listen to her First Draft interviews here and here),
Heather Havrilesky, Zan Romanoff (listen to her First Draft
interviews here and here), and me (hear Sarah and I discuss the
lead-up to the release of my debut novel, Tell Me Everything,
here).
Seth Fishman, he’s an author and literary agent with The Gernert
Company and manager of their West Coast office. He reps clients
such as John Joseph Adams, Ali Almossawi, and Kate Beaton.
Kristin Nelson, founder of Nelson Literary Agency, who represents
authors like Marie Lu (listen to her First Draft interviews here,
here, and here), Ally Carter, and Simone Elkeles.
Holly Root, literary agent and founder of Root Literary who
represents clients such as Victoria Schwab (hear her First Draft
interview here), Jasmine Guillory (listen to her First Draft
interview here), and Christina Lauren.
Discussed in this episode:
Don’t miss the previous episodes of Track Changes: Publishing
101 (listen on the website; Apple Podcasts; Spotify; or
Stitcher); and Agents: Who Are They And How Do I Get One?
(listen on the website; Spotify; or Stitcher)
More Information:
“The Coronavirus Takes Its Toll on Publishing” in Publishers
Weekly
“The Deals Are Alright” in PublishersMarketplace (Sub.
reqrd.)
“Virtual Author Events Are the Next Big Thing” in Publishers
Weekly
“Print Unit Sales Flat in April” in Publisher's Weekly
Furloughs, firings, and layoffs covered in a few places: “UTA
Instituting Temporary Furloughs To Start In A Few Weeks,
Mostly Assistants,” in Deadline;
Want more information? Sign up for a free 30-day trial of the
Track Changes newsletter, which goes a step (or two) further
behind the scenes into the publishing world.
Support First Draft by subscribing to the podcast wherever you
listen (on Apple Podcasts, Spotfiy, Stitcher, or elsewhere), and
leave a rating or review on Apple Podcasts. You can donate to the
podcast, on a one time or monthly basis.
Track Changes is produced by Hayley Hershman. Zan Romanoff is the
story editor. The music was composed by Dan Bailey, and the logo
was designed by Collin Keith.
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