Mark speaks to Yes mastering wizard, Maor Appelbaum – 496

Produced by Wayne Hall, Jeffrey Crecelius and Preston Frazier This
week Mark speaks to one of the unsung heroes of Yes’ recent
releases (going back to the Like It Is live series), Maor
Appelbaum. If, like me, you haven’t a clue what a Timbre Farm is or
what difference a Saturator/Clipper makes to the sound of a record,
then you’re in for a treat. It’s a fascinating and in-depth
conversation, so many thanks to Mark and Maor for making this
happen. What IS mastering?Which Yes records has Maor worked on?How
do you make a recording sound as good as possible? Listen to the
episode and let us know what you think! Mastering wizard, Maor
Applebaum Maor's website: https://maorappelbaum.com/ We’ like you
to send in a voicemail, please, to help us celebrate 10 years of
the Yes Music Podcast. Feel free to mention a particular episode
you remember for a special reason or just say hello, it’s up to
you. We will need to have your contribution by 31st August at the
latest please. You can send a recording to
show@yesmusicpodcast.com, record a voicemail via the ‘Record a
message’ button on the YMP site or any other way you’d like. We
look forward to playing your contribution on episode 500! Join us
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2020 is the time to join us: Become a Patron! Bag yourself a
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Producers: Jeffrey CreceliusPreston Frazier andWayne Hall Patrons:
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on AndroidListen on Stitcher Theme music The music I use is the
last movement of Stravinsky's Firebird Suite. This has been used as
introduction music at many Yes concerts. My theme music is not take
from a live concert - I put it together from: archive.org