Ep 22: Alena Murang - Sarawakian Sape Player, Visual Artist & Heritage Advocate
Ep 22: Alena Murang - Sarawakian Sape Player, Visual Artist &
Heritage Advocate
54 Minuten
Podcast
Podcaster
Beschreibung
vor 5 Jahren
Alena Ose’ Murang is a Sarawakian sape player singer, teacher,
speaker, social entrepreneur, visual artist & heritage
advocate. Born in Kuching, Sarawak, to a Kelabit father, Ose
Murang and English-Italian mother Valerie Mashman, Alena and her
older brother were immersed in their local heritage from young
including dance and the local lute instrument, the sape. While
Alena has never formally studied music, she answered her calling
to be a keeper of stories for her people and in 2016, released
her first EP, Flight - a collection of traditional Kenyah &
Kelabit songs.
Since then, Alena has performed at many renowned world music
festivals including the SXSW (USA), Colors of Ostrava (Czech
Republic), Paris Fashion Week (France), Rudolstadt Festival
(Germany), OzAsia Festival (Australia), and Rainforest World
Music Festival (Malaysia). She was a youth representative at the
UNESCO Youth Forum in Paris, and UNESCO Asia-Pacific for her work
in intangible cultural heritage.
Some of the things we talked about include:
3.20: What is was like growing up in Kuching & being
immersed in the local culture including visiting villages,
studying rituals like basket weaving & hiking
6:08: How at the age of 6, Alena & her cousins began to
learn the arang kadang (long dance) & solo Hornbill dance
from her aunties, before half of them decided to pick up the sape
7:26: Getting Uncle Mathew Ngau to teach them the sape &
why that was such a contentious issue because of their
gender
8:46: The difference between the “spirit” & “human” sape
17:45: Identity & heritage
20:13: Her love of art
21:35: Studying fine arts at the Lasalle College of the Arts
22:37: Why Alena’s fine arts teacher did not encourage her to
pursue art as a career
23:59: How she ended up on a US tour with the Diplomats of
Drum as a sape player
25:58: Her discovery of how the sape could move people
26:31: Why she became a fellow with Teach for Malaysia
28:28: How she started her social enterprise, ART4 Studio
(now known as Kanid Studio)
30:35: What led Alena to pursuing world music as a full-time
career
31:53: How Alena produced & released her first EP, Flight
33:45: Working with life coaches
35:15: If Alena was ever plagued with imposter syndrom
35:44: When Alena knew that she was doing exactly what she
was meant to be doing
36:44: How Alena ended up participating in the Norway Fjord
Festival (Scandinavia’s largest traditional music festival) &
Paris Fashion Week
38:47: Whether Alena ever felt she had to get out of Malaysia
to grow her musical career
41:48: Working with her village elders
43:09: Being a part of the Small Island Big Song Austronesian
production
44:53: Why beads are so important to Alena’s indigenous
heritage
46:56: How COVID-19 has impacted Alena & her career
49:14: What listeners can do to help Alena & any other
world musician
Show notes: https://www.sothisismywhy.com/22
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