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https://hypeddit.com/track/sc/cpsgya The entry of synthesizers and
other electronic effects into the disco genre produced electronic
dance music, including America's Hi-NRG and Europe's space disco.
Italo disco's influences include Italian producer Giorgio Moroder,
French musician Didier Marouani, a couple of hits by the French
drummer Cerrone, electronic and synth-pop acts such as Kraftwerk,
Yellow Magic Orchestra, Telex, Devo and Gary Numan, and the early
Hi-NRG albums of San Francisco producer Patrick Cowley with such
singers as Sylvester and Paul Parker. Although disco music was
generally reviled and shunned in the English-speaking world during
the 1980s, dance music was still popular in Europe. Italian disco
DJs' desire for new music was frustrated because new songs were
imports and therefore too expensive. So Italian producers and
musicians filled the void with their own new music. As with all
musical styles, Italo disco incorporated different subgenres,
overlapped with other styles, and evolved rather than appearing and
disappearing, so there are conflicting points of view on what the
"first" Italo disco record was and when the genre began. What can
be said is that disco music was being produced by Italian producers
since at least 1977. Italo disco often featured electronic sounds,
drum machines, catchy melodies, vocoders, overdubs, and heavily
accented English lyrics. By 1983, Italo disco's instrumentation was
predominantly electronic. Along with love, Italo disco themes deal
with robots and space, sometimes combining all three in songs like
"Robot Is Systematic" (1982) by 'Lectric Workers and "Spacer Woman"
(1983) by Charlie. 1982 And 1983 saw the release of three tracks
cited as influential in the development of Chicago's house music:
the irony-laden "Dirty Talk", "Wonderful" and "The M.B.O. Theme",
all by Klein + M.B.O., a side-project developed by Davide Piatto of
the Italo disco duo N.O.I.A., with vocals by Piatto and Rossana
Casale. Other Italo disco imports to the United States, such as
"Feel the Drive" by Doctor's Cat, influenced house music. Although
the genre was successful in Europe during the 1980s, it was never
particularly successful in the United Kingdom, although several
Italo disco songs did become hits there. Nonetheless, several
British electronic acts such as the Pet Shop Boys, Erasure and New
Order are said to have been influenced by the genre. In 1983, there
were frequent hit singles and labels such as American Disco, Crash,
Merak, Sensation and X-Energy appeared. The popular label Disco
Magic released more than thirty singles within the year. It was
also the year that the term "Italo disco" became widely known
outside of Italy, with the release of the first volumes of The Best
of Italo Disco compilation series on the German record label ZYX.
After 1983, Italo disco was also produced outside of Italy.
https://hypeddit.com/track/sc/cpsgya The entry of synthesizers and
other electronic effects into the disco genre produced electronic
dance music, including America's Hi-NRG and Europe's space disco.
Italo disco's influences include Italian producer Giorgio Moroder,
French musician Didier Marouani, a couple of hits by the French
drummer Cerrone, electronic and synth-pop acts such as Kraftwerk,
Yellow Magic Orchestra, Telex, Devo and Gary Numan, and the early
Hi-NRG albums of San Francisco producer Patrick Cowley with such
singers as Sylvester and Paul Parker. Although disco music was
generally reviled and shunned in the English-speaking world during
the 1980s, dance music was still popular in Europe. Italian disco
DJs' desire for new music was frustrated because new songs were
imports and therefore too expensive. So Italian producers and
musicians filled the void with their own new music. As with all
musical styles, Italo disco incorporated different subgenres,
overlapped with other styles, and evolved rather than appearing and
disappearing, so there are conflicting points of view on what the
"first" Italo disco record was and when the genre began. What can
be said is that disco music was being produced by Italian producers
since at least 1977. Italo disco often featured electronic sounds,
drum machines, catchy melodies, vocoders, overdubs, and heavily
accented English lyrics. By 1983, Italo disco's instrumentation was
predominantly electronic. Along with love, Italo disco themes deal
with robots and space, sometimes combining all three in songs like
"Robot Is Systematic" (1982) by 'Lectric Workers and "Spacer Woman"
(1983) by Charlie. 1982 And 1983 saw the release of three tracks
cited as influential in the development of Chicago's house music:
the irony-laden "Dirty Talk", "Wonderful" and "The M.B.O. Theme",
all by Klein + M.B.O., a side-project developed by Davide Piatto of
the Italo disco duo N.O.I.A., with vocals by Piatto and Rossana
Casale. Other Italo disco imports to the United States, such as
"Feel the Drive" by Doctor's Cat, influenced house music. Although
the genre was successful in Europe during the 1980s, it was never
particularly successful in the United Kingdom, although several
Italo disco songs did become hits there. Nonetheless, several
British electronic acts such as the Pet Shop Boys, Erasure and New
Order are said to have been influenced by the genre. In 1983, there
were frequent hit singles and labels such as American Disco, Crash,
Merak, Sensation and X-Energy appeared. The popular label Disco
Magic released more than thirty singles within the year. It was
also the year that the term "Italo disco" became widely known
outside of Italy, with the release of the first volumes of The Best
of Italo Disco compilation series on the German record label ZYX.
After 1983, Italo disco was also produced outside of Italy.
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