Moloko - Róisín Murphy - Unloveable (X-Tended Edit)Disco Boogie Funk
Róisín Murphy - Unloveable Extended Edit By Petko…
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vor 7 Jahren
Róisín Murphy - Unloveable Extended Edit By Petko Turner DL
>> https://hypeddit.com/track/9zq74k Electronic Beats
described Murphy as "this adolescent century’s true art-pop queen,"
writing that "her sensuous and ominous output is scattered across
various genres and moods." AllMusic described her as "a purveyor of
adventurous, omnivorous pop that blended influences as far-flung as
disco and hot jazz." Australian publication OutInPerth called her
"Ireland's queen of the avant-garde." Drowned in Sound's Giuseppe
Zevolli wrote that "she’s merged pop, house, and disco with an
avant-garde sensibility and a stunning, shape-shifting visual
output that never ceases to provoke." Critic Mark Fisher located
her music in a glam lineage that includes Roxy Music, Grace Jones,
and the New Romantics, noting Murphy's attention to the cultivation
of artifice and persona. The sound of Moloko's early work drew on
electronic and trip hop influences before transitioning to a more
organic sound. Her diverse solo work has included collaborations
with experimental jazz composer Matthew Herbert and electronic
producer Eddie Stevens, drawing variously on house music, ballroom
culture, and avant-garde electronica. Murphy has a contralto vocal
range, which has been described as jazzy and spans 3 octaves and 1
note, from G2 to B5. Heather Phares described it as "combin[ining]
a wild variety of voices and textures, from impassively chilly to
gorgeously lilting to gleefully offbeat." As major influences
Murphy has cited Sonic Youth (especially Kim Gordon), the Pixies,
Talking Heads and Grace Jones. Murphy has drawn considerable
attention and praise for her eccentric and imaginative fashion
style. Electronic Beats noted "her reputation for sporting
avant-garde couture into a place among fashion’s elite."
>> https://hypeddit.com/track/9zq74k Electronic Beats
described Murphy as "this adolescent century’s true art-pop queen,"
writing that "her sensuous and ominous output is scattered across
various genres and moods." AllMusic described her as "a purveyor of
adventurous, omnivorous pop that blended influences as far-flung as
disco and hot jazz." Australian publication OutInPerth called her
"Ireland's queen of the avant-garde." Drowned in Sound's Giuseppe
Zevolli wrote that "she’s merged pop, house, and disco with an
avant-garde sensibility and a stunning, shape-shifting visual
output that never ceases to provoke." Critic Mark Fisher located
her music in a glam lineage that includes Roxy Music, Grace Jones,
and the New Romantics, noting Murphy's attention to the cultivation
of artifice and persona. The sound of Moloko's early work drew on
electronic and trip hop influences before transitioning to a more
organic sound. Her diverse solo work has included collaborations
with experimental jazz composer Matthew Herbert and electronic
producer Eddie Stevens, drawing variously on house music, ballroom
culture, and avant-garde electronica. Murphy has a contralto vocal
range, which has been described as jazzy and spans 3 octaves and 1
note, from G2 to B5. Heather Phares described it as "combin[ining]
a wild variety of voices and textures, from impassively chilly to
gorgeously lilting to gleefully offbeat." As major influences
Murphy has cited Sonic Youth (especially Kim Gordon), the Pixies,
Talking Heads and Grace Jones. Murphy has drawn considerable
attention and praise for her eccentric and imaginative fashion
style. Electronic Beats noted "her reputation for sporting
avant-garde couture into a place among fashion’s elite."
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