Shallow Depth of Field in Bright Sunlight: Exploring Photography with Mark Wallace
http://www.adorama.com
Have you ever wanted to shoot at f/1.4 during the middle of the day? Would you like to use a slow shutter speed to capture ...
5 Minuten
Podcast
Podcaster
Beschreibung
vor 9 Jahren
http://www.adorama.com
Have you ever wanted to shoot at f/1.4 during the middle of the day? Would you like to use a slow shutter speed to capture motion at high noon? Using a variable neutral density filter allows you to shoot with wide open aperture or slow shutter speeds - even in bright sunlight. In this episode Mark Wallace shows you how simple it is to use a variable ND filter.
Related Products at Adorama:
Heliopan 46mm Variable Gray Neutral Density Filter - 0.3 to 1.8 (1 to 6 stops)
http://www.adorama.com/hp46vnd.html?utm_source=youtube&utm_medium=social&utm_content=video&utm_campaign=Shallow%20Depth%20of%20Field%20in%20Bright%20Sunlight%3A%20Exploring%20Photography%20with%20Mark%20Wallace
Leica M Typ 240 Digital Rangefinder Camera Body
http://www.adorama.com/LCMB.html?utm_source=youtube&utm_medium=social&utm_content=video&utm_campaign=Shallow%20Depth%20of%20Field%20in%2 [...]
Have you ever wanted to shoot at f/1.4 during the middle of the day? Would you like to use a slow shutter speed to capture motion at high noon? Using a variable neutral density filter allows you to shoot with wide open aperture or slow shutter speeds - even in bright sunlight. In this episode Mark Wallace shows you how simple it is to use a variable ND filter.
Related Products at Adorama:
Heliopan 46mm Variable Gray Neutral Density Filter - 0.3 to 1.8 (1 to 6 stops)
http://www.adorama.com/hp46vnd.html?utm_source=youtube&utm_medium=social&utm_content=video&utm_campaign=Shallow%20Depth%20of%20Field%20in%20Bright%20Sunlight%3A%20Exploring%20Photography%20with%20Mark%20Wallace
Leica M Typ 240 Digital Rangefinder Camera Body
http://www.adorama.com/LCMB.html?utm_source=youtube&utm_medium=social&utm_content=video&utm_campaign=Shallow%20Depth%20of%20Field%20in%2 [...]
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