The Radio Ga Ga Podcast

Though Maggie Rogers began songwriting in her teens, it wasn't until Pharrell Williams critiqued her masterclass at NYU when she got her big break. Many of the songs on "Heard It In A Past Life" deal with this overnight success and all the waves of emotion that come with that. She says "Heard It In A Past Life" was the introduction that she never really got to make. We discuss all the different production and writing styles reflected on the album, as well as Maggie's synesthesia and writing process.

In this episode, we're diving into one of punk's most enduring albums, "Marquee Moon" from 1977. We'll talk about Television's role in CBGB & OMFUG becoming the epicenter of American punk and the history of the venue, as well as the friendship and later falling out of Tom Verlaine and Richard Hell. Also–the Lower East Side poetry scene, Patti Smith helping build the mystique around the band, turning down a record contract, and what a good name change can do for the soul. Television, don't go to my head.

"After Hours" is like a film noir in album format. It depicts the rise and fall of an anti-hero, The Character, as he admits that his loneliness is more unbearable than he lets on. In this episode, we discuss The Weeknd's whole visual campaign around "After Hours," including an important series of music videos and appearances where The Weeknd showed up with facial bandages. Also, we'll discuss his evolution from releasing music anonymously to becoming one of the biggest pop stars in the world.

In this episode, I talk to music writer Jamieson Cox, whose work has been featured in Pitchfork, Time Magazine, and more. We discuss how he finds new music, what made him get into criticism, and towing the line between having a hobby and keeping it one. We also get into his role in Pitchfork’s first-ever review of Taylor Swift, how the Pitchfork scoring system works, and Jamieson’s newsletter, One Good Song. Episode includes music by Frank Ocean, Madeline Kenney, Jazmine Sullivan, Mamalarky, and Darkside.