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11.11.2016
1 Stunde 4 Minuten
In Episode 43 I am joined by Claus Levin and Sue DeCree to debunk
the myth of "Practicing 10 hours a day". Claus and Sue both have
teaching sites dedicated to helping musicians everywhere to be
play at their best and really enjoy playing guita. They also both
used to make claims of practing 10 hours a day or more. As you
will find out, while they did practice a lot it wasn't always
quite whart they claimed. What they did do consistently was
practice effectively and they are happy to share those
experiences.
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28.09.2016
40 Minuten
Episode 42 Comes to you live (sort of) from my hotel room in Tampa,
Fl! It was my first time in Tampa and so I checked out a couple
guitar shops (check out my Instagram feed for pictures) and some
local beer (Thank you Tampa Bay Brewing Company!) While I was there
I met a couple young guitarists, one who was just starting out and
another who absolutely blew me away with his skills. And that's the
topic of this episode. Guitar shops: Where guitarists can hang out
and meet each other. We are full swing in the digital age and there
are so many great things because of it. For example, I was able to
record this podcast in my hotel room on my iPad and then upload it
to my FTP site. I love the age we live in and I love being able to
order anything I want or need at anytime. What I miss is the local
guitar shop. They are dwindling. Where I currently live we only
have two local shops and they are ok. One has been getting better
and better. What's it been doing differently? focusing on the
"community" aspect of being a guitarist. Community and having a
cool place to gather, play and shop is what pushes the community
forward. What are your Favorite shops? Share them with us
on Twitter and Instagram.
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21.09.2016
30 Minuten
In Episode 39 I spoke with David Karon of KHDK
electronics about their line of effects and especially the
Scuzz Box. After the interview (and during a hurricane) I ordered
my Scuzz Box from The Guitar Guru Network on
Reverb.com and waited with excitement for it to arrive.
Well....IT's HERE!!!! So I opened it, put it on the board and
recorded my first impressions for the show. My set up for the show
was my Epiphone SG and Mexican Start into the Scuzz Box, then my
Ghoul Screamer, then my Boss FBM-1, then the TC Electronic Wiretap,
and finally my Vox AC4. I recorded everything with one mic, Blue
Snowball, plugged into my iPad running Bossjock Studio. Ian torn
between micing the amp and doing a "real" recording and the "live
recording that i did. I opted for "live" because my ultimate goal
is for you to hear the pedal as i hear it. For example, on the
"Scuzz" setting you can hear the gate kick in and then hear my
strings (acoustically) still vibrating even though the gate had
kicked in.Let us know
on Twitter and Instagram what you think!
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14.09.2016
1 Minute
In Episode 40 Sue Decree returns to talk guitar rigs. Sue
and I have been making music together for the last 20 plus years
and in that time she has maintained a predominantly digital rig.
With advances in technology her rig has not gotten better and
better sounding over the years, it also shrunk. She's gone from 14
guitars, 4 synths, a drum machine, and a 4-track recorder and an
Apple II se to 4 guitars, her Mac laptop and line 6 port. We
discuss why her rig has dramatically reduced in size and expanded
in sounds and versatility. Let us know what your rig is like. Tag
us in your Instagram posts: @sgnl2nz.
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06.09.2016
34 Minuten
My Ghoul Screamer arrived in April. I unboxed it with giddy
excitement and have not stopped gushing about it since. I am still
THRILLED with that pedal and watch eagerly for every bit of news
that KHDK puts out. Fast forward to July when the teaser
video hit for the Scuzz Box. Now that giddy excitement has turned
into a tone obsession, and getting the chance to talk with David
about the KHDK approach to tone was a great experience. As a music
fan first, i've spent hours, months and years obsessing over
particular tones on records and struggled to replicate them, even
using the same gear. Years go by and articles start to surface
about how that original gear was "modded" to artist specs. What
excites me the most about KHDK is that this is the first time we
the general public are getting access to these "behind the scenes"
mods. Talking with David, you can tell just how passionate he is
about music and the "elusive" perfect tone. As I write this my
Scuzz box is en route. I cannot wait to unbox it, get it on the
board and start crafting. Hit us up
on Twitter and Instagram and share your tone
obsessions with us!
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Über diesen Podcast
Signal to Noise is a podcast about music, sound, noise, and the
gear that makes it all possible!
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