Pretty For An Aboriginal

If you thought we’d disappeared, think again! Nakkiah and Miranda have a treat for you. Recently, at the Melbourne Writers Festival, they sat down with journalist, memoirist and comic book writer Ta-Nehisi Coates to talk about race in general, and specifically whether democracy is failing people of colour in the US and in Australia, and why hope is irrelevant in the face of political struggle.     But that’s not all! They also invited Melbourne-based artists Birdz and Alice Skye to perform in front of the live audience. Enjoy this special live episode of BuzzFeed’s Pretty For An Aboriginal. (And please forgive us for the occasional audio echo and mic feedback. It was live in a large venue!) Credits: Hosted by: Nakkiah Lui @nakkiahlui and Miranda Tapsell @missmirandatapProduced and edited by Nicola Harvey @nicolaharveyPerformances by Birdz (and band) and Alice Skye.Opening Track (performed live at the Thornbury Theatre on August 29 for the Melbourne Writers Festival): Birdz, “This Side (ft Alice Skye). Reproduced here with permission from Nathan Bird and Bad Apples Music.  Special thanks to: Makeup artist Rosie Kilvert @rosiekalina, Eddie Fitzpatrick and Marieke Hardy from Melbourne Writers Festival, Coco Eke from Bad Apples Music, and Carolyn Logan. 

In this special live episode, presented and recorded at the Sydney Opera House as part of the All About Women festival, Nakkiah and Miranda are joined by actor and budding director Shari Sebbens to unpack the fall out from the Marvel blockbuster Black Panther. They discuss how and why colonialism has become a subtext for mainstream blockbusters from Thor Ragnarok to Black Panther, and consider whether Australia is ready to play with terminology seeped in the violence of colonisation.  Can a First Nations woman jokingly refer to a white Australian as a “coloniser” without blow back? Is Australia ready to be playful with language and stories from the colonial period?  Credits:  Hosted by: Nakkiah Lui @nakkiahlui and Miranda Tapsell @missmirandatap Produced and edited by Nicola Harvey @nicolaharvey Special thanks to: Tod Deely, Ed Nixon, Shane Johnson from the Sydney Opera House Recording & Broadcast studio, Sydney Opera House event Production staff, the Talks & Ideas programming team behind All About Women, and Uncle Richard Green for use of the audio welcome to country.

We decided to record a bonus episode because recently Australia’s prime minister Malcolm Turnbull landed a pretty big blow on Indigenous Australians. Last week, he rejected the Indigenous Voice to Parliament proposed in the Uluru Statement From The Heart – a way forward for recognition devised by hundreds of Indigenous leaders earlier this year. We’re recording this conversation in front of a small live audience at Junket, a Canberra conference for future leaders and people doing interesting things. Nakkiah Lui and Miranda Tapsell invited delegates into Nakkiah’s cosy hotel room to talk to about race in this country. And to ask them the question we ask all guests: when did you first realise your race mattered? We’ll be back in 2018 with Season 2, until then you can contact the hosts @nakkiahlui and @missmirandatap Don’t forget, you’re Pretty… For An Aboriginal.

In a perfect world Miranda Tapsell would be the star of a wildly successful rom-com, or a franchised superhero film. The Frances Ha or Jessica James of Australia, or an Aboriginal Storm in the next edition of X-Men. But in order to be Australia’s favourite romantic lead, Miranda has to write her own feature film because…let’s be honest — lead roles for Aboriginal actors in a rom-com aren’t all that common. But is there a shift afoot? Australian actors Blessing Mokgohloa (who was born in Zimbabwe), and Arka Das (Bangladesh), are increasingly being cast as the “hot guy” and the “best friend” in Australian films and on television. In this funny and honest episode, Miranda and Nakkiah unpack the layers of race and racism in Australia, and consider how TV is (or is not) reflecting their lived experience. And they explore the differences between the black immigrant experience and the black Indigenous experience. Is there a point of connection, or just layers of difference and hardship?