Ceco - Red Strings

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announcement - 15th of June --- Ceco - Red Strings Set description:
A reasonably diverse mix of slightly more UK-grounded things I’ve
been listening to lately all making their way towards that
Flabbergast track and its "invisible red strings" that I just can’t
get enough of… Annoyingly running out of track for Gemini towards
the end but totally worth it for the build up to that warm synth in
the opening track. Recorded for an audience of 3 flatmates nodding
their heads and tapping their feet in the background – the closest
we have been to a party in a while. Enjoy. About Ceco Artist
biography: DJ based in London. Like dancing to records, listening
to records and mixing records (in that order:) Music tastes are of
course always evolving and increasingly diverging as you always
find new artists and sub-genres but I try to stitch together as
many as possible in my sets whilst keeping the common thread going.
Most of the times it works and of course sometimes it doesn’t but
it’s rarely boring. This one is no exception with quite a few
twists and turns – hopefully a welcome respite from the monotone
blur that our lives are right now. Portfolio link: @ceco_lnd
Current city: London, UK 3 releases you enjoy the most: Recently:
Wantan ‎– Ramen 001, Toma Kami – Negative Extasy, Claudio Simonetti
‎– I Love The Piano 3 Romanian artists you follow: Barac, Mihai
Pol, Privu 3 international artists you follow: Zug, Batu, EOD Most
played album: S. Moreira’s – It All Comes Back To Patterns is
getting a lot of air time in lockdown. --- The feeder sound II
project is organized by Save or Cancel team, composed of Cristina
Popa (random) and Andrei Racovițan (ubic), through feeder.ro and is
co-funded by AFCN, Thematic area: Digital art and new media. The
program does not necessarily represent the position of the National
Cultural Fund Administration. AFCN is not responsible for the
content of the program or the way the program results can be used.
These are entirely the responsibility of the beneficiary of the
funding.