A Dozen Good Reasons To Die With SEAN BEASLEY From DYING FETUS

Armed with undeniably some of the heaviest riffs known to mankind,
DYING FETUS have established a reputation for uncompromising
integrity with a slew of classic albums, and today ride a
resurgence of respect and esteem with a new generation. 
After 12 horribly long years since their last tour in Australia and
in only their second appearance in New Zealand since 2009, DYING
FETUS are well overdue to lash us unmercifully this December with
their savage beat downs and earth-moving grooves and grunt, equally
designed to pulverize and mesmerize. 
And smash us they shall, but to find out just how they plan to do
that, HEAVY sat down to chat with bass player Sean Beasley. One of
the things we ask about is the well-known ferocity of Dying Fetus's
mosh pits and what it looks like from stage.
"Yeah, it's always different," Beasley smiled. "You never know with
big festivals or whatever. That's when you see it, like, oh shit,
somebody might get hurt out there. Usually, people get hurt when
they fall over the railing instead of being in the pit, you
know?"
We also address the fact that the band have not toured Australia
for well over a decade, and ask cheekily why they have neglected
their fans here for so long.
"I don't know, to tell you the truth," he replied, laughing. "It
just hasn't worked out. We haven't been back to Southeast Asia
either, so for some reason that hasn't worked out. It's been this
long, which is really surprising to me. I had to look it up and
was, like, damn, when was the last time we were there (laughs), and
then I had a look and realized it's been that long!"
In the full interview, Sean talks more about the tour and what we
can expect from Dying Fetus. He runs through what has changed with
the band in between visits, including new albums and how much
attention they will be getting in the set list.
We praise him on the selection of 200 Stab Wounds as support,
talking about this being their first tour of Australia and how they
will adapt. The excellently graphic tour poster is discussed, along
with more on the mosh pits in the crowd, new music and more.


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