Let Me In

Hello, People of Dear Hearts! This week, perhaps we’ll find the
answer to the question Why Did This Get Made? while discussing
2010’s Let Me In, the American remake of Let The Right One In. We
dive into the obvious-ness of it all while creating the phrase
trickle-down bullyism and mentioning Richard Jenkins by full name
only. There are half the Twilight references, but twice the
rants. Eat Virginia with us, dear hearts.


Artwork by jstnmbrwn


References: 


Christensen, Kyle. “Drinking and Disappearing: Vampiric Orality
and Age As Challenging the Youthful Male Gaze in Let Me In:
Women’s Studies in Communication.” Women’s Studies in
Communication 43, no. 2 (May 2020): 202–24.
https://doi.org/10.1080/07491409.2020.1737288.


Let Me In. Drama, Fantasy, Horror. Overture Films,
Exclusive Media Group, Hammer Films, 2010.


“Let Me In (Film).” In Wikipedia, April 14, 2024.
https://en.wikipedia.org/w/index.php?title=Let_Me_In_(film)&oldid=1218811667#Visual_effects.


“New Queer Horror Film and Television.” Accessed April 11, 2024.
https://eds-p-ebscohost-com.ezproxy.umsl.edu/eds/ebookviewer/ebook?sid=6974dce6-402a-411b-879a-fbbff1127708%40redis&vid=0&format=EB.


Troy, Maria Holmgren. “Dealing with the Uncanny? Cultural
Adaptation in Matt Reeves’s Vampire Movie Let Me In.”
American Studies in Scandinavia 48, no. 1 (March 1, 2016):
25–41. https://doi.org/10.22439/asca.v48i1.5359.