01.17 The One Where You Need To Vote Like Lives Depend On It

Grab your coffee and hold on tight, once you press play we are
non-stop! in this fast paced episode we follow the second part of
The One With Two Parts. We watch as Joey gets his heart broken by
Ursula and picking apart the nuanced responsibilities that we
have when navigating these hard
dating-your-best-friends-estranged-sister situations. We watch
Rachel drag Monica into insurance fraud and naively dance around
in a crime where her bestie would pay all the consequences -
inviting some 'cute doctors' over for dinner (I'm not sure why i
used quotations - Rachels words or not, we all know George
Clooney is cute af). And lastly we will PIVOT! over to some
beautiful portrayals of male vulnerability, men emotionally
supporting men, as Ross Geller tries to wrap his head around his
impending fatherdom.
Along the way we'll visit a wikipedia history lesson on black
sitcoms in ref to F.R.I.E.N.D.S, an ugly sweater, some
paralleling of queer family dynamics and just generally remind
ya'll to register to vote... and then also actually go
#vote
hope you have fun!

*For the record this title is not trying to be click-baity but
rather a banner and reminder that we all know people in the US
and in this time, as their friends, we need to remind them to
vote, and that their vote will affect lives... and that not
voting will also affect lives.

---
Ways to get involved with the Black Lives Matter Movement:
https://blacklivesmatters.carrd.co/

We would like to state that this podcast was recorded in
'Montreal', or Tiohtiá:ke, which we recognize is unceded
indigenous land of the traditional territories of the
Kanien’kehá:ka, 'Mohawk', Anishinabeg, 'Algonquin', and other
peoples. We recognize the indigenous peoples as the rightful
custodians of this land and are grateful and respect every which
way they have taken care of and fought for this land, including,
and not exclusive to, the Oka Crisis.
Though we continuously are working to use this podcast as a
platform to address and unpack systems of oppression we also
recognize our whiteness, that we are able bodied, our class
privilege, and, in addition, our newness at attempting to create
this media. We welcome any insight, feedback or resources on how
we can do this better, or if we are doing it wrong.

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Follow What the Phalange?! on social media: @wtphalange
email: wtphlange@gmail.com

Emilie Brunet
www.emiliebyoga.com
insta: @emilieby


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