Playing it Wrong

It gives technicians fits, but composers and performers are
always   experimenting with new “wrong” ways to play
their instrument.


From  Bartok pizz to prepared piano, multiphonics to slap
tongue,  many of  these techniques have made it into
the standard repertoire.   What new  extended
techniques are being pioneered today?


Hosted by Seth Boustead
Produced by Jesse McQuarters


Stephen Scott: Four Note Aria fr. Baltic
Sketches
The Bowed Piano Ensemble


George Crumb: Black Angels, III (excerpt)
Kronos Quartet


Frances-Marie Uitti: Britsum 2 Bow Chorale
Frances-Marie Uitti, vc.


Junghae Lee: Sonorence (excerpt)
Barbara Lieurance, p.; Chelsea Czuchra, flutes; Nora Krahl, vc.


Helmut Lachenmann: Pression (excerpt)
Walter Grimmer, vc.


Eric Mandat: Sub(T)Rains O’ Strata’s Fears
Robert Spring, cl.


Meredith Monk: Dolmen Music (excerpt)
Paul Langland, voice; Julius Eastman, voice and percussion;
Robert Een,  voice & vc.; Monica Solem, voice; Andrea
Goodman, voice; Meredith  Monk, voice; Julius Eastman, voice


Dai Fujikura: Calling, for solo bassoon
(excerpt)
Rebekah Heller, bassoon