Episode 37 - Bridesmaids

Viewing Paul Feig's overly-praised 2011 comedy,
"Bridesmaids," is like watching a series of bad deleted scenes
from a better movie. The film is a mediocre and forgettable
“Saturday Night Live” sketch that keeps dragging on for more
than two hours of your life that you will never get back.


Kristen Wiig plays Annie Walker, an immature, bitter and
self-destructive former bakery shop owner who cannot stand to see
anyone around her experiencing happiness. Despite the fact that
she can barely pay the rent on her crummy apartment that she
shares with two weirdo British roommates, Annie commits to being
the maid of honor in a wedding that has a budget of at least a
million dollars. Everything she ends up touching falls apart and
cheeseball antics ensue. Also, there's some lame love story about
Annie and a dopey Irish police officer.


Maya Rudolph plays Lillian Donovan, an anus-bleachin’ diarrhea in
the middle of the street havin’ Wilson Phillips lovin’ bridezilla
who can’t seem to decide which one of her sociopathic friends is
her true bestie. She plays the BFF candidates against one another
in a series of elaborate wedding-related events until one of them
breaks down from sheer exhaustion at the amount of drama that she
can bring to bear.


Rose Byrne plays Helen Harris III, a snooty and possessive mean
girl maniac who’s hell-bent on edging out her competition for the
title of Lillian’s best friend. Throughout the movie, Helen sets
up one china shop after another for her adversary, Annie, to bull
through while trying to isolate herself as much as possible from
the collateral damage.


Melissa McCarthy plays Megan Price, a well-meaning, lovable
buffoon who awkwardly blunders her way through one contrived
scenario after the next, almost exactly like Chris Farley. Her
performance produces a couple of the rare funny moments this
movie has to offer.


Oh, and Rebel Wilson plays the most annoying character ever
conceived of in the history of mankind: herself.


Join us as we discuss Jim’s binders full of funny women and how
the scenes in this film are as long, and as painful, as the
gestation of an elephant.


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