She's Like Cézanne
1 Stunde 4 Minuten
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vor 1 Jahr
We travel to Los Angeles for the first half of Episode 2, where
Carmel talks to legendary producer, bassist, and Blue Note Records
president, Don Was about his first gig ever at age 12 opening for
Joni Mitchell. Don also shares how he learned an important life
lesson from listening to Blue, and discusses the
sophistication of Joni's harmonic and poetic compositions, and how
this naturally intersected with some of the greats of jazz,
including their mutual friend, the late Wayne Shorter. Next, in a
heartfelt conversation, host Carmel Holt tells Bonnie Raitt that
her own road to Joni began with cassettes of Blue and
Bonnie's 1974 album Streetlights, and we learn that her
version of "That Song About The Midway" also holds a very special
meaning for Bonnie, including performing the song in Joni's living
room at one of the Joni Jams. Bonnie shares how inspirational and
important Joni has been for her, and the ways she has impacted her
work.
Carmel talks to legendary producer, bassist, and Blue Note Records
president, Don Was about his first gig ever at age 12 opening for
Joni Mitchell. Don also shares how he learned an important life
lesson from listening to Blue, and discusses the
sophistication of Joni's harmonic and poetic compositions, and how
this naturally intersected with some of the greats of jazz,
including their mutual friend, the late Wayne Shorter. Next, in a
heartfelt conversation, host Carmel Holt tells Bonnie Raitt that
her own road to Joni began with cassettes of Blue and
Bonnie's 1974 album Streetlights, and we learn that her
version of "That Song About The Midway" also holds a very special
meaning for Bonnie, including performing the song in Joni's living
room at one of the Joni Jams. Bonnie shares how inspirational and
important Joni has been for her, and the ways she has impacted her
work.
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