Podcast
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Beschreibung
vor 5 Jahren
Click here for the feeder sound II OPEN CALL voting poll, available
between 12th of May – 12th of June:
www.feeder.ro/2020/05/09/vote-feeder-sound-open-call/ WINNERS
announcement - 15th of June --- Centrifug - Subculture
mixseries vii About the set: I've been tripping myself for over a
month into searching and selecting these tracks, through a timeless
resume of a soundscape that I would play over and over again, with
music that stretches back 4 decades. Set description: music is the
capsule that moves back and forth without considering any physical
boundaries, now you are here, after the next break you could be 20
years ago. As a selector, you could play with time and define your
own dimension, that's why most of my sets will have its peak
somewhere long time ago where most of the music was done on
hardware, played loud on dyi soundsystems, when music was heard
into discos, not into clubs. I like that form of expression, when
not everything was labelled and put under genres, when you were
coming to listen to good music, not to an artist in particular. I
enjoy diversity, that's why this set is a bit different from what I
usually play into warehouse, but more likely what I mix at smaller
gatherings of like minded people. About Centrifug About yourself: I
could describe myself as a person of low voltage and high tempo, an
explorer, a curious mind. These things are expressed through my
time spent as an artist. I enjoy to challenge myself with tasks of
diverse possibilities, through which my curiosities are pushed
forward and new different levels of enjoyment are fulfilled. Artist
biography: I've started tweaking hardware 4-5 years ago, but I'm
behind speakers for almost 10 years. My mission is to first
discover the scene and its culture, then to push my boundaries and
change the rules, so I could add some pieces of puzzle through my
own vision. Right now i'm focusing on a project here in Cluj in
which I put together different installations and artists through a
night of music & video in different unconventional places,
focused on techno / electro. We had some really massive warehouses,
car parkings and other industrial landscapes, all under Pressure
Nights label. Portfolio link:
https://www.facebook.com/PressureNights |
https://www.facebook.com/centrifug.inside/ | @centrifug Current
city: Cluj Napoca, Romania 3 releases you enjoy the most: DVS1
– Hush 20 > FSOM – Shivaratri > Drexciya – Digital Tsunami
3 Romanian artists you follow: radu dracul / the model > paul
popa > andrew red hand 3 international artists you follow: dvs1
> mathew jonson > dj stingray Most played album: Underworld
– Beaucoup Fish > Klaus Schulze – Vanity of Sounds > C.J.
Bolland – Electronic Highway --- The feeder sound II project is
organized by Save or Cancel team, composed of Cristina Popa
(random) and Andrei Racovițan (ubic), through feeder.ro and is
co-funded by AFCN, Thematic area: Digital art and new media. The
program does not necessarily represent the position of the National
Cultural Fund Administration. AFCN is not responsible for the
content of the program or the way the program results can be used.
These are entirely the responsibility of the beneficiary of the
funding.
between 12th of May – 12th of June:
www.feeder.ro/2020/05/09/vote-feeder-sound-open-call/ WINNERS
announcement - 15th of June --- Centrifug - Subculture
mixseries vii About the set: I've been tripping myself for over a
month into searching and selecting these tracks, through a timeless
resume of a soundscape that I would play over and over again, with
music that stretches back 4 decades. Set description: music is the
capsule that moves back and forth without considering any physical
boundaries, now you are here, after the next break you could be 20
years ago. As a selector, you could play with time and define your
own dimension, that's why most of my sets will have its peak
somewhere long time ago where most of the music was done on
hardware, played loud on dyi soundsystems, when music was heard
into discos, not into clubs. I like that form of expression, when
not everything was labelled and put under genres, when you were
coming to listen to good music, not to an artist in particular. I
enjoy diversity, that's why this set is a bit different from what I
usually play into warehouse, but more likely what I mix at smaller
gatherings of like minded people. About Centrifug About yourself: I
could describe myself as a person of low voltage and high tempo, an
explorer, a curious mind. These things are expressed through my
time spent as an artist. I enjoy to challenge myself with tasks of
diverse possibilities, through which my curiosities are pushed
forward and new different levels of enjoyment are fulfilled. Artist
biography: I've started tweaking hardware 4-5 years ago, but I'm
behind speakers for almost 10 years. My mission is to first
discover the scene and its culture, then to push my boundaries and
change the rules, so I could add some pieces of puzzle through my
own vision. Right now i'm focusing on a project here in Cluj in
which I put together different installations and artists through a
night of music & video in different unconventional places,
focused on techno / electro. We had some really massive warehouses,
car parkings and other industrial landscapes, all under Pressure
Nights label. Portfolio link:
https://www.facebook.com/PressureNights |
https://www.facebook.com/centrifug.inside/ | @centrifug Current
city: Cluj Napoca, Romania 3 releases you enjoy the most: DVS1
– Hush 20 > FSOM – Shivaratri > Drexciya – Digital Tsunami
3 Romanian artists you follow: radu dracul / the model > paul
popa > andrew red hand 3 international artists you follow: dvs1
> mathew jonson > dj stingray Most played album: Underworld
– Beaucoup Fish > Klaus Schulze – Vanity of Sounds > C.J.
Bolland – Electronic Highway --- The feeder sound II project is
organized by Save or Cancel team, composed of Cristina Popa
(random) and Andrei Racovițan (ubic), through feeder.ro and is
co-funded by AFCN, Thematic area: Digital art and new media. The
program does not necessarily represent the position of the National
Cultural Fund Administration. AFCN is not responsible for the
content of the program or the way the program results can be used.
These are entirely the responsibility of the beneficiary of the
funding.
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