Fully Diminished Voicings - Peter Martin | 2 Minute Jazz

Are you scared of fully diminished voicings? Never fear, Peter
Martin is here to give you some tips.


====================================================


What's going on everybody? Peter Martin here for Two-Minute Jazz.


We're gonna talk about fully diminished chords today. I want to
give you a little bit of ideas for your voicings. So we're gonna
take


"Embraceable You." E flat major. Then the second chord: G flat
fully diminished. So we've got the root, minor third, minor
fifth, diminished seventh. but I've always thought that was kind
of a basic sound. 


So, the easiest alteration you can make is: shift that diminished
seventh up to a major seventh. Okay so we know we still got that
diminished triad but with the major seventh, which kind of leads
nicely to where we're going. And so this to me it always kind of
implied that D7#9 kind of a sound. Right? But the root's going up
to G flat. And in terms of like implementing this in some
two-handed voicing, we've got E flat major and what about this?
What do we have here? We've got the G flat - the root, the
diminished fifth, we've still got the diminished seventh and up
here we have the major seventh. This is the minor third and like
this, I really think about, this is that D mino triad and if we
put the D down - the root,


Then we go half hold diminished. Thinking about it off of the D.
Okay? You can kind of move this around chromatically. Have some
fun with it there. And it leads real nice to where we're going in
F minor. Okay? So we don't need to be scared of the fully


diminished. I know sometimes it feels like we're locked in and
it's so basic. But you know there's some nice symmetry here too
and I always love these voicings where you've got the tritone
separating the hands. I don't know why. It's always been like a
cool thing to me there.


Works off of either root. And when you take, you know, when you
have this voicing in your arsenal, a nice thing too is you can go
basic. Root position first and then kind of jump up here and
combine it. It'll give it a little bit of a modern sound.
Alright?


So don't be afraid of the diminished, and have fun with the
diminished.


Happy Practicing.


====================================================


For more full length lessons with Peter Martin, head over to Open
Studio! www.openstudionetwork.com/piano


See acast.com/privacy for privacy and opt-out information.