Bebop Passing Tones - Peter Martin | 2 Minute Jazz

Bebop Passing Tones - Peter Martin | 2 Minute Jazz

Peter Martin shows you how to add passing tones to your lines to get a more authentic bebop sound.========================================================(piano music) - What's going on everybody? Peter Martin here for Two Minute Jazz. Got a quick tip for
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Acclaimed jazz pianist Peter Martin and other Open Studio artists break it down in 2 minutes.

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vor 6 Jahren

Peter Martin shows you how to add passing tones to your lines to
get a more authentic bebop sound.


========================================================


(piano music) - What's going on everybody? Peter Martin here for
Two Minute Jazz. Got a quick tip for you today on bebop passing
tones. So many different ways to get into an authentic and really
satisfying bebop sound, but one of them that I love that really
kinda comes from a harmonic concept that can inform your melodic
bebop playing is passing tones, and I'm gonna just talk about two
today.


E flat major.


(piano music)


You know, if we improvise over E flat major.


(piano music)


And we just stick to the E flat major scale,


(piano music)


it's fine, but it gets interesting when we put in those passing
tones. So if we look at the minor third,


(piano music)


that's the first one.


(piano music)


And you know, there's three basic ways of thinking about this.
Start your line on the passing tone.


(piano music)


And normally we're looking at resolving that minor third up to
the third or down to the ninth or the second. So you can start
your line there or you can go to it immediately at the beginning
of your line.


(piano music)


From the third, or you can do it from the second, I don't like
that one as much.


(piano music)


Or the third way is to play it somewhere in the middle of your
line.


(piano music)


And when you're running up a scale, this is a great time to do
it, because I mean, it works aight, but it's kinda


(piano music)


if I just play the major scale, but if I do


(piano music)


and put that minor third resolving up to the major third in the
middle of it, and then I mean, you know you can get (piano music)
some rhythmic offsets, some syncopation, that's where it gets
really nice.


So the other one I like a lot is a minor sixth. Same thing, you
can start your line there,


(piano music)


you can go right to it.


(piano music)


Or you can catch it in the scale.


(piano music)


Okay?


So these are just two over the major scale, but they're fun to
practice by isolating them. Each scale has its own, we'll get
into those on other episodes, but for now, happy practicing.


(soft music)


========================================================


For full length piano lessons with Peter Martin, check out
www.openstudionetwork.com/piano


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