Spreading The Ashes With GREG WILKINSON From AUTOPSY
Interview by Kris Peters The common perception with iconic bands is
that their musical output understandably slows the longer their
careers go on. This could be for a variety of factors that are too
many to mention, but no matter how many excuses...
20 Minuten
Podcast
Podcaster
All the latest music interviews from the team at HEAVY Magazine.
HEAVY interviews the worlds leading rock, punk, metal and beyond musicians in the heavy universe of music.
We will upload the latest interviews regularly so before to follow our...
Beschreibung
vor 2 Jahren
Interview by Kris Peters
The common perception with iconic bands is that their musical
output understandably slows the longer their careers go on.
This could be for a variety of factors that are too many to
mention, but no matter how many excuses there are, try telling
legendary Californian death metal outfit Autopsy that they should
be slowing down.
Coming just 12 months after the release of Morbidity Triumphant,
the timeless warriors last week unveiled another slab of metal
excellence in the form of Ashes, Organs, Blood And Crypts.
A sonic barrage that sounds as if it were conceived in the bowels
of Hell itself, Ashes, Organs, Blood And Crypts is, if anything, an
ever more polished performance from Autopsy given that new bass
player Greg Wilkinson not only has one album under his belt before
this release, but also the fact he had more involvement in the
complete album cycle.
Wilkinson joined HEAVY earlier for a chat about the new material
and more.
"It's been good," he smiled at the response to the new album. "It
was kind of scary putting two albums a year apart and some people
were definitely nervous at how are they gonna put two records out
and make them good."
I point out the above-mentioned fact that bands generally reduce
their output in the latter stages of their career, a point which he
shrugs off casually.
"I can't speak on behalf of before me joining the band, but there
was that whole COVID lockdown thing," he measured, "that I think
maybe built a little back up. And then me joining the band nad also
having input in that stuff. There was four of us who could all
write songs, so you have four people, you have a big break from
shows; from writing records; from recording. The whole world shut
down for a year and a half, so I'm sure those are all elements that
came into play. In the end, the fact of the matter is I think once
we get the wheels rolling we just keep going. It seems like we just
kept going. Kinetic energy, that's my answer."
In the full interview, Greg talks about the musical side of the new
album, how it differs sonically to Morbidity Triumphant, how the
singles released represent the album, the horror-inspired film clip
for Rabid Funeral, how he is settling into his role in the band
after joining in 2021, how he came to be a member of Autopsy and
more.
The common perception with iconic bands is that their musical
output understandably slows the longer their careers go on.
This could be for a variety of factors that are too many to
mention, but no matter how many excuses there are, try telling
legendary Californian death metal outfit Autopsy that they should
be slowing down.
Coming just 12 months after the release of Morbidity Triumphant,
the timeless warriors last week unveiled another slab of metal
excellence in the form of Ashes, Organs, Blood And Crypts.
A sonic barrage that sounds as if it were conceived in the bowels
of Hell itself, Ashes, Organs, Blood And Crypts is, if anything, an
ever more polished performance from Autopsy given that new bass
player Greg Wilkinson not only has one album under his belt before
this release, but also the fact he had more involvement in the
complete album cycle.
Wilkinson joined HEAVY earlier for a chat about the new material
and more.
"It's been good," he smiled at the response to the new album. "It
was kind of scary putting two albums a year apart and some people
were definitely nervous at how are they gonna put two records out
and make them good."
I point out the above-mentioned fact that bands generally reduce
their output in the latter stages of their career, a point which he
shrugs off casually.
"I can't speak on behalf of before me joining the band, but there
was that whole COVID lockdown thing," he measured, "that I think
maybe built a little back up. And then me joining the band nad also
having input in that stuff. There was four of us who could all
write songs, so you have four people, you have a big break from
shows; from writing records; from recording. The whole world shut
down for a year and a half, so I'm sure those are all elements that
came into play. In the end, the fact of the matter is I think once
we get the wheels rolling we just keep going. It seems like we just
kept going. Kinetic energy, that's my answer."
In the full interview, Greg talks about the musical side of the new
album, how it differs sonically to Morbidity Triumphant, how the
singles released represent the album, the horror-inspired film clip
for Rabid Funeral, how he is settling into his role in the band
after joining in 2021, how he came to be a member of Autopsy and
more.
Weitere Episoden
24 Minuten
vor 1 Monat
19 Minuten
vor 1 Monat
19 Minuten
vor 1 Monat
32 Minuten
vor 1 Monat
In Podcasts werben
Kommentare (0)