Women’s Nonfiction in Peru | No Master Territories
vor 3 Jahren
What forms of resistance can cinema offer? What r…
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vor 3 Jahren
What forms of resistance can cinema offer? What relations exist
between documentary film and activism? How does feminist film deal
with sexually explicit images? These questions and more are
addressed in a podcast series accompanying the exhibition “No
Master Territories: Feminist Worldmaking and the Moving Image,”
curated by Erika Balsom and Hila Peleg. In the 1980s and 1990s in
Lima, white middle-class women made nonfiction films and videos
with and about marginalized people, many of them Indigenous, who
were living in slums around the city. This podcast looks back at
this moment, diagnosing the questions of power, representation and
positionality raised by this body of work. Isabel Seguí with Lorena
Best, Mauricio Godoy, Sara Guerrero & Patricia Oliart More
about the exhibition: www.hkw.de/en/NoMaster Sound excerpts from
Trinh T. Minh-ha, What About China? (2022), copyright Moongift
Films
between documentary film and activism? How does feminist film deal
with sexually explicit images? These questions and more are
addressed in a podcast series accompanying the exhibition “No
Master Territories: Feminist Worldmaking and the Moving Image,”
curated by Erika Balsom and Hila Peleg. In the 1980s and 1990s in
Lima, white middle-class women made nonfiction films and videos
with and about marginalized people, many of them Indigenous, who
were living in slums around the city. This podcast looks back at
this moment, diagnosing the questions of power, representation and
positionality raised by this body of work. Isabel Seguí with Lorena
Best, Mauricio Godoy, Sara Guerrero & Patricia Oliart More
about the exhibition: www.hkw.de/en/NoMaster Sound excerpts from
Trinh T. Minh-ha, What About China? (2022), copyright Moongift
Films
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