Cinema and Everyday Resistance | No Master Territories

What forms of resistance can cinema offer? What relations exist
between documentary film and activism? How does feminist film deal
with sexually explicit images? These questions and more are
addressed in a podcast series accompanying the exhibition “No
Master Territories: Feminist Worldmaking and the Moving Image,”
curated by Erika Balsom and Hila Peleg. In her 1982 film
“Reassemblage,” Trinh T. Minh-ha influentially reformulated the
terms of the ethnographic encounter: she would not “speak about,”
but “speak nearby.” In this conversation with artist-filmmaker
Laura Huertas Millán, the two discuss this concept and others
pertaining to both their practices. More about the exhibition:
www.hkw.de/en/NoMaster Sound excerpts from Trinh T. Minh-ha, What
About China? (2022), copyright Moongift Films