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Social Sculpture, Mutated

Social Sculpture, Mutated

die erde spricht vor 5 Jahren

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33:02

Podcast

die erde spricht

27 Episoden

Der Podcast zu beuys 2021. 100 Jahre Joseph Beuys

Kunst Gesellschaft & Kultur

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Are social sculptures vulnerable to the crisis of truth and to
the current lack of trust in institutions? Is social sculpture as
subject to transformation as any other art form? Vivian Caccuri,
Rio de Janeiro-based sound artist, has composed a sound piece for
this episode that explores these questions in conversation with
curators Jochen Volz and Thiago de Paula, philosopher Rodrigo
Nunes and artist Cibelle. Combined with her own musical and sound
compositions, Vivian Caccuri offers a dense take on the subject.

Rodrigo Nunes is professor of modern and contemporary
philosophy at the Pontifical Catholic University of Rio de
Janeiro (PUC-Rio), Brazil. He is the author of Organisation
of the Organisationless: Collective Action After
Networks and of numerous articles in publications such
as Les Temps Modernes, Radical Philosophy, South
Atlantic Quarterly, Jacobin, Al
Jazeera and The Guardian.

Cibelle (Cibelle Cavalli Bastos) is a Brazilian visual artist and
musician based in London, Berlin and São
Paulo. She graduated from the Royal College of Art in
London, has released four music albums and has performed and
presented work in venues such as Martin-Gropius-Bau in
Berlin, Museo Reina Sofia in Madrid, ICA
London, and Carnegie Hall in New York.

Thiago de Paula Souza (Taboão da Serra, SP), is a curator and
researcher graduated in Social Sciences. He is currently a member
of the curatorial team of the 3rd edition of Frestas – Sorocaba
Arts Triennale, organized by SESC – SP. He participated in the
Propositions for Non-Fascist-Living program, organized by BAK in
Utrecht, where he curated Tony Cokes: To Live as Equals.

Jochen Volz is the General Director of Pinacoteca de São Paulo
and the curator of the Brazilian Pavilion at the 57th Biennale di
Venezia (2017). He was the chief curator of the 32nd Bienal de
São Paulo (2016). He was Head of Programmes at the Serpentine
Galleries in London and a curator at the Instituto Inhotim, Minas
Gerais, where he has also served as General Director and Artistic
Director.