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Freeze Frame: "How to Make a Killing" (R), "EPiC: Elvis Presley in Concert (PG-13), "Man on the Run" (R)

2 Minuten
The black comedy thriller "How to Make a Killing" is inspired by the classic 1949 British film, "Kind Hearts and Coronets." But this version isn't quite sure what it wants to be. Glen Powell stars as an heir to a vast fortune who's been disowned by his callous family. He plots to bump off all his relatives who stand in the way of his inheritance. The audience is challenged to root for a guy who's obviously ethically challenged and Powell's charisma is a big help in that department. It's modestly funny, but the tone shifts in “How to Make a Killing” are so jarring that it may give audiences a case of whiplash. As a companion piece to his 2022 hit "Elvis," director Baz Luhrmann offers his first documentary, the concert film, "EPiC: Elvis Presley in Concert." Using previously unseen footage stored in a Kansas salt mine, Luhrmann creates a hybrid film that mixes concerts, rehearsals, press conferences and backstage footage into a riveting showcase. For the uninitiated, “EPiC: Elvis Presley in Concert” demonstrates why Presley was such a dynamic and popular performer. Paul McCartney's traumatic post-Beatles years are the focus of the involving Amazon Prime documentary, "Man on the Run.” It serves as a companion to McCartney's new book about his time with Wings. Oscar-winning director Morgan Neville skillfully sorts through a ton of footage to assemble a thoughtful look at both the considerable misfires as well as the tremendous successes McCartney experienced in the 1970s. Interviews with McCartney, his family as well as folks like Mick Jagger, Chrissie Hynde and Sean Lennon, make “Man on the Run” an enlightening and entertaining overview.

Freeze Frame: "Crime 101" (R), "Goat" (PG), "Good Luck, Have Fun, Don't Die" (R)

2 Minuten
"Crime 101" is a slick and engaging thriller featuring Chris Hemsworth, Halle Berry, and Mark Ruffalo. Hemsworth portrays a jewel thief who is emotionally conflicted and determined to complete one final heist. Guided by a personal code of ethics, his character refuses to harm anyone and targets only insurance companies with his schemes. The film's impressive supporting cast includes Barry Keoghan, Monica Barbaro and Nick Nolte who all contribute to the film’s strong ensemble dynamic. Bart Layton, a British documentary filmmaker, brings surprisingly taut and effective direction, allowing "Crime 101" to remain engaging even when the plot stretches believability. “Crime 101” is an entertaining action throwback. The animated sports comedy "Goat" is from producer Steph Curry, who also lends his voice to one of the characters. The story centers on a young goat who dreams of competing in "Roarball," an intense and dangerous version of full-contact basketball. The film boasts a talented voice cast, including Caleb McGlaughlin from “Stranger Things,” David Harbour, Jennifer Hudson, Jelly Roll, and Gabrielle Union. "Goat" is a predictable, but family-friendly bit of escapism. "Good Luck, Have Fun, Don't Die" is a high-concept, sci-fi comedy that combines the time-loop antics of "Groundhog Day" with the energy of "Terminator." Sam Rockwell stars as a time traveler who repeatedly journeys back from the future, attempting to save humanity from the impending threat of artificial intelligence. Director Gore Verbinski seems to draw inspiration from the eccentric style of the Oscar-winning “Everything Everywhere All at Once.” The result is a smart and wildly imaginative film, even if it sometimes struggles with pacing and knowing when to wrap things up.

Freeze Frame: "The Moment" (R), "Dracula" (R), "Solo Mio" (PG), "The Wrecking Crew" (R)

2 Minuten
First world problems plague a pop star in the unpredictable mockumentary "The Moment." Charlie XCX plays a fictionalized version of herself in the story of her preparations for a concert and tour. While not a comedy per se, it pokes fun at the whole "Brat" phenomenon and satirizes pop stardom. “The Moment” is an interesting experiment more than a satisfying movie and features surprisingly little music. Those sensitive to flashing light, steer clear. French director Luc Besson offers his offbeat take on "Dracula." Caleb Landry Jones is impressive as the cursed vampire who spends centuries searching for his lost love. Besson's opulent, operatic approach is visually engaging, but the movie is overlong and peppered with unintentionally funny moments. "Dracula" doesn't exactly suck, but it isn't a full-blooded horror, either. Perhaps the best thing you can say about the Angel Studios romantic comedy "Solo Mio" is that it's harmless. Kevin James plays a middle-aged schoolteacher who travels to Rome with his fiancée, only to be jilted at the altar. Will he ever find love again? Everything about the script is utterly phony, but the photogenic Italian scenery gives "Solo Mio" a minor boost. The main things wrecked in the Amazon Prime action comedy "The Wrecking Crew" are cars, motorcycles, helicopters, property...and logic. Dave Bautista and Jason Momoa play estranged half-brothers who are forced to work together to solve the mystery of their father’s death. The action is relentless, and the Hawaiian scenery is "nani." But the lapse of plot coherence in “The Wrecking Crew” wrecks any real sense of peril.

Freeze Frame: "Shelter" (R), "Moses the Black" (R), "Wonder Man" (TV-14)

2 Minuten
The latest Jason Statham thriller "Shelter" provides exactly what you'd expect. It's packed with over-the-top action and ridiculous implausibilities. Statham is a disgraced special ops agent hiding out on a remote Scottish island who's forced back into action to protect an innocent preteen girl, well played by Bodhi Ray Breathnach. The action gets more elaborate and sillier as the movie progresses, but director Rick Roman Waugh puts the pedal to the metal and doesn’t let logic get in the way. Don't roll your eyes too much while watching “Shelter,” or you'll miss some decent stunt work. Omar Epps and Wiz Khalifa lead the cast of the morose and violent crime drama "Moses the Black." Serbian writer/director Yelena Popovic attempts to juxtapose a modern story about a Chicago gang leader recently released from prison with that of the martyred Ethiopian saint from the fourth century. Epps is saddled with the responsibility of staring endlessly into void while supposedly seeing visions of the saint who turned from a life of crime to a life of asceticism. “Moses the Black” is bleak, awkward and as subtle as a sledgehammer. Just when you think that you might not be able to bear another Marvel TV offering, Disney+ presents the unique and involving 8-part series, "Wonder Man." Yahya Abdul-Mateen II plays a struggling actor who is saddled with superpowers that are hard to control. He must hide his outlawed abilities in order to make it in Hollywood. Ben Kingsley plays a fellow actor who may or may not offer support. Often funny and refreshing, "Wonder Man" is a knowing and engaging satire of both Hollywood and superhero cliches.

Freeze Frame: "Mercy" (PG-13), "H is for Hawk" (PG-13), "In Cold Light" (R), "Mel Brooks: The 99-Year-Old Man" (TV-MA)

2 Minuten
Artificial Intelligence is once again the antagonist in the sci-fi thriller, "Mercy." Set in the crime-ridden near future, Chris Pratt plays a detective on trial for his wife's murder. He has 90 minutes to convince an A.I. judge, played by Rebecca Ferguson, of his innocence. While it gets a bit goofy and stretches credibility to the limit, “Mercy" gets to its over-the-top climax in an entertaining manner. The gentle British drama "H is for Hawk" is based on an acclaimed memoir. Claire Foy plays naturalist Helen Macdonald who spent a year training a goshawk. She used the experience to cope with the death of her father and her own clinical depression. “H is for Hawk” is relatable, thanks to Foy's performance, but never quite soars. Another strong performance from Maika Monroe can't save the depressing crime thriller, "In Cold Light." Monroe plays a drug dealer recently released from prison who wants back in the game but comes into conflict with mobsters and crooked cops. Good guys are hard to find here. "In Cold Light” is a little too cold and a little too calculated. The two-part HBO Max documentary "Mel Brooks: The 99-Year-Old Man" is a funny, loving and sometimes critical look at life of the legendary comedian and filmmaker from director/interviewer Judd Apatow. Brooks, who is both revered and reviled for his low-brow comedies like "Blazing Saddles" and "Young Frankenstein" is a natural performer who may not always be candid in his interviews, but he's always entertaining. A lineup of famous comics shares their adoration, and some family members share their criticism. Overall, “Mel Brooks: The 99-Year-Old Man” is a worthwhile overview of a remarkable life.
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Freeze Frame is a weekly show reviewing the latest movies from Hollywood’s best to independent and arthouse movies.
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KKFI 90.1 FM Kansas City Community Radio
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