Die weibliche Stimme wird gerne kritisiert - zu hoch, zu schrill,
zu laut. Immer ist das weibliche Stimmorgan irgendwie "zu viel".
Aber woran liegt das undhat sich im Lauf der Zeit daran auch was
geändert?
Wir gehen diesen Fragen auf den Grund. Mit einer wahren
Geschichte erläutern sie, was passiert, wenn eine Frau es wagt,
gute Vorschläge zu machen und dann auch noch darauf zu bestehen,
dass das tatsächlich ihr Vorschlag warund nicht der eines Mannes.
Aber hört selbst.
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Quellen:
*
https://www.tagesspiegel.de/wissen/die-weibliche-stimme-ist-tiefer-geworden-4108861.html
*
https://www.vdge.org/2020/12/05/alles-ueber-das-weibliche-sprechen-logopaedie-fuer-transfrauen-es-kommt-nicht-auf-die-tonhoehe-an/
*
https://www.spektrum.de/news/die-stimme-wie-sie-wirkt-und-was-sie-ueber-uns-verraet/1912996
*
https://journals.plos.org/plosone/article?id=10.1371/journal.pone.0133779
*
https://www.sciencedirect.com/science/article/abs/pii/S0003347203921233
* Rahina Muazu:‘ "Why invite her here? Her
voice is ʿawra!’: vocalnudity debates and Muslim female preachers
in northern Nigeria"
*Adrienne L. Fairhall and Eve Marder:
"Acknowledging female voices" in NatureNeuroscience | VOL 23 |
August 2020, S. 904f.
*Piotr Sorokowski, David Puts, Janie Johnson,
Olga Żółkiewicz, Anna Oleszkiewicz,Agnieszka Sorokowska, Marta
Kowal, Barbara Borkowska, Katarzyna Pisanski:"Voice of Authority:
Professionals Lower Their Vocal Frequencies WhenGiving Expert
Advice" in Journal of Nonverbal Behavior (2019) 43:257–269
*Valentina Cartei, David Reby: "Acting Gay: Male Actors Shift the
FrequencyComponents of Their Voices Towards Female Values When
Playing HomosexualCharacters" in Journal of Nonverbal Behavior
(2012) 36:79–93
*Marianne Latinus, Margot J. Taylor:
"Discriminating Male and Female Voices:Differentiating Pitch and
Gender" in Brain Topogr (2012) 25:194–204
*Benedict C. Jones, David R. Feinberg, Lisa M.
DeBruine, Anthony C. Little and Jovana Vukovic: "Integrating cues
of social interest and voice pitch in men’spreferences for
women’s voices" in Biology Letters (2008) 4, 192–194
*David R Feinberg, Lisa M DeBruine, Benedict C
Jones, David I Perrett: "The roleof femininity and averageness of
voice pitch in aesthetic judgments of women's voices" in
Perception, 2008, volume 37, pages 615 - 623
*Sonja Lattner, Martin E. Meyer and Angela D.
Friederici: "Voice Perception: Sex,Pitch, and the Right
Hemisphere" in Human Brain Mapping 24:11–20(2005)
*Casey A. Klofstad, Rindy C. Anderson, Stephen
Nowicki: "Perceptions ofCompetence, Strength, and Age Influence
Voters to Select Leaders withLower-Pitched Voices" in PLOS ONE |
DOI:10.1371/journal.pone.0133779August 7, 2015, S. 1-14
*Adrienne Wood, Jared Martin, Paula Niedenthal:
"Towards a social functional account of laughter: Acoustic
features convey reward, affiliation, and dominance" in PLOS ONE |
https://doi.org/10.1371/journal.pone.0183811 August 29, 2017, S.
1-19
*Leigh W. Simmons, Marianne Peters, Gillian
Rhodes: "Low Pitched Voices ArePerceived as Masculine and
Attractive but Do They Predict Semen Quality inMen?" in PLoS ONE
6(12): e29271. doi:10.1371/journal.pone.0029271
*Casey A. Klofstad, Rindy C. Anderson, Stephen
Nowicki: "Perceptions ofCompetence, Strength, and Age Influence
Voters to Select Leaders withLower-Pitched Voices" in PLoS ONE
10(8): e0133779.doi:10.1371/journal.pone.0133779
*Anderson RC, Klofstad CA (2012): "Preference
for Leaders with Masculine Voices Holds in the Case of Feminine
Leadership Roles." in PLoS ONE 7(12):e51216.
doi:10.1371/journal.pone.0051216
*Susan M. Hughes and Marissa A. Harrison: "Your
Cheatin’ Voice Will Tell on You:Detection of Past Infidelity from
Voice" in Evolutionary PsychologyApril-June 2017: S. 1–12
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