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Freeze Frame Archiv

638 Episoden
2 Minuten
You can have all the great special effects and cute aliens you can muster, but without the charisma and star power of Ryan Gosling, the sci-fi opus "Project Hail Mary" would drift aimlessly into space. Gosling plays a science teacher who reluctantly becomes an astronaut and attempts to save our sun from a bizarre destructive force. While in deep space, he encounters an unlikely ally. While it's overlong and repetitive, "Project Hail Mary" is still an engaging crowd pleaser. Rose Byrne stars in the comic drama "Tow," the true story of a homeless woman trying to rebuild her life. Things took a hellish turn when the vehicle she was sleeping in was towed and she endured a long and excruciating legal fight to reclaim it. While it deals with serious issues, "Tow" takes a lighter tone with its treatment of David vs. Goliath social themes. There are family films and then there are movies for the kids only. "The Pout-Pout Fish" falls into the latter category. It's a harmless animated tale based on the picture books by Deborah Diesen about a depressed fish who discovers his cheery side after an adventure with a cute sea dragon. Toddlers may smile. Parents may snooze. "Peaky Blinders: The Immortal Man" is a Netflix feature film that’s a continuation of the popular series. Cillian Murphy is back as Tommy Shelby, the gang leader suffering from spiritual despair, who is forced out of retirement to reclaim his place as head of his gypsy crime family and save Britain from a Nazi threat. It's a good thing that those criminals are so darn patriotic. Terrific performers and solid British production values elevate this WWII era melodrama.
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"Cohorts," the loyal followers of bestselling author Colleen Hoover, have been anxiously awaiting the cinematic adaptation of her latest novel, "Reminders of Him." They likely won't be disappointed. Maika Monroe gives a strong performance as a young woman recently released from prison after serving time for involuntary manslaughter. She returns to her hometown in hopes of meeting her daughter who was taken from her at birth and begins a romantic relationship with bar owner Tariq Withers. “Reminders of Him” is as predictable, calculated and manipulative as you might expect, but the committed cast is solid. Bring the Kleenex. The horror entry "Undertone" is billed as "The Scariest Movie You'll Ever Hear." That's because the gimmick is its unique audio approach. Nina Kiri plays one of the hosts of a podcast about the paranormal. She begins losing her grip on reality when listening to ghastly audio mysteriously sent to her co-host. "Undertone" is the very definition of "slow burn"...but in this case it's too slow. Granted, “Undertone” builds to a creep-inducing climax but takes too long to get there. Take an Army training drama and throw in invading Transformer-style robots from outer space, and you have the new Netflix action thriller, "War Machine." Alan Ritchson from TV's "Reacher" plays an Army Staff Sergeant training for an elite Army Ranger regiment. During a training exercise, an alien machine begins killing off the recruits. The whole thing is pretty silly and there's a lot of R-rated carnage. Still, there may be just enough action and mayhem in "War Machine" to appeal to your inner 13-year-old.
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Even second-rate Pixar is better than most other animated features. The latest offering from the renowned studio is "Hoppers," a unique sci-fi fantasy about a rebellious girl whose mind is transplanted into a robotic beaver in an attempt to save a pristine glade from the bulldozers of shortsighted developers. Excellent animation, sharp voice work and a thoughtful screenplay elevate “Hoppers,” which should hop right to the top of the U.S. box office. The pro-environmental message comes through loud and clear, but the kids will only care about the wacky characters and zippy action. It may be a bit too scary for the younger kids, but "Hoppers" still has the warmth family audiences crave. As the saying goes, you're only as good as you dare to be bad. Give writer/director Maggie Gyllenhaal credit because she dared, but "The Bride!," her gonzo take on "The Bride of Frankenstein," is a cinematic horror...and not in a good way. Credit also to the brave, powerhouse performances from Christian Bale and Jessie Buckley, but their efforts are in service of a mismatched conglomeration of ideas that are as patchy as Bale's stitched-up monster. Don’t get hitched to this bride. Milla Jovovich, cinema's queen of backside kickers, is back in "Protector," a truly terrible action movie that plays like a gender switch on Liam Neeson's "Taken." Milla plays a former Special Ops soldier with a very particular set of skills whose daughter is kidnapped by human traffickers. It's sleazy, bloody with klutzy dialogue that even skilled actors couldn't save. Plus, it’s got a climatic twist that produces more groans than surprises. Protect your wallet and skip "Protector."
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If you don't know what the term BDSM refers to, then the comic drama "Pillion" may not be for you. Alexander Skarsgård and Harry Melling star in the very...I repeat, very...adult story of a dominant biker and his submissive partner. While it's well written and smartly acted, much of the content of this R-rated movie pushes it close to the NC-17 designation. Still, for open-minded viewers, the unconventional romance “Pillion” is an empathetic portrait of an unusual relationship. Oscar-winner Jessica Chastain stars in the dark and unpleasant drama, "Dreams." She plays a socialite having a steamy affair with a much younger, very talented Mexican ballet dancer played by Isaac Hermandez. The fact that he's an illegal alien is only one of the numerous problems this couple faces.The immigration theme in “Dreams” is top-of-mind, but the movie is undermined by unlikeable characters and...here we go again...some unusually graphic sex scenes. The Amazon Prime movie "The Bluff" is a throwback action swashbuckler starring Priyanka Chopra and Karl Urban set in waning days of Caribbean piracy, the late 19th century. Chopra plays a former pirate known as Bloody Mary hiding out with her family on one of the remote Cayman Islands A rival pirate played by Urban, once her mentor, seeks her out. When he discovers her whereabouts, he takes revenge on her for stealing his stolen treasure. This ain't your Disney pirate adventure, folks. "The Bluff" is a violent R-rated thriller that delivers the action but suffers a bit from its sketchy dialogue and bloody, over-the-top mayhem.
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The black comedy thriller "How to Make a Killing" is inspired by the classic 1949 British film, "Kind Hearts and Coronets." But this version isn't quite sure what it wants to be. Glen Powell stars as an heir to a vast fortune who's been disowned by his callous family. He plots to bump off all his relatives who stand in the way of his inheritance. The audience is challenged to root for a guy who's obviously ethically challenged and Powell's charisma is a big help in that department. It's modestly funny, but the tone shifts in “How to Make a Killing” are so jarring that it may give audiences a case of whiplash. As a companion piece to his 2022 hit "Elvis," director Baz Luhrmann offers his first documentary, the concert film, "EPiC: Elvis Presley in Concert." Using previously unseen footage stored in a Kansas salt mine, Luhrmann creates a hybrid film that mixes concerts, rehearsals, press conferences and backstage footage into a riveting showcase. For the uninitiated, “EPiC: Elvis Presley in Concert” demonstrates why Presley was such a dynamic and popular performer. Paul McCartney's traumatic post-Beatles years are the focus of the involving Amazon Prime documentary, "Man on the Run.” It serves as a companion to McCartney's new book about his time with Wings. Oscar-winning director Morgan Neville skillfully sorts through a ton of footage to assemble a thoughtful look at both the considerable misfires as well as the tremendous successes McCartney experienced in the 1970s. Interviews with McCartney, his family as well as folks like Mick Jagger, Chrissie Hynde and Sean Lennon, make “Man on the Run” an enlightening and entertaining overview.
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"Crime 101" is a slick and engaging thriller featuring Chris Hemsworth, Halle Berry, and Mark Ruffalo. Hemsworth portrays a jewel thief who is emotionally conflicted and determined to complete one final heist. Guided by a personal code of ethics, his character refuses to harm anyone and targets only insurance companies with his schemes. The film's impressive supporting cast includes Barry Keoghan, Monica Barbaro and Nick Nolte who all contribute to the film’s strong ensemble dynamic. Bart Layton, a British documentary filmmaker, brings surprisingly taut and effective direction, allowing "Crime 101" to remain engaging even when the plot stretches believability. “Crime 101” is an entertaining action throwback. The animated sports comedy "Goat" is from producer Steph Curry, who also lends his voice to one of the characters. The story centers on a young goat who dreams of competing in "Roarball," an intense and dangerous version of full-contact basketball. The film boasts a talented voice cast, including Caleb McGlaughlin from “Stranger Things,” David Harbour, Jennifer Hudson, Jelly Roll, and Gabrielle Union. "Goat" is a predictable, but family-friendly bit of escapism. "Good Luck, Have Fun, Don't Die" is a high-concept, sci-fi comedy that combines the time-loop antics of "Groundhog Day" with the energy of "Terminator." Sam Rockwell stars as a time traveler who repeatedly journeys back from the future, attempting to save humanity from the impending threat of artificial intelligence. Director Gore Verbinski seems to draw inspiration from the eccentric style of the Oscar-winning “Everything Everywhere All at Once.” The result is a smart and wildly imaginative film, even if it sometimes struggles with pacing and knowing when to wrap things up.
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First world problems plague a pop star in the unpredictable mockumentary "The Moment." Charlie XCX plays a fictionalized version of herself in the story of her preparations for a concert and tour. While not a comedy per se, it pokes fun at the whole "Brat" phenomenon and satirizes pop stardom. “The Moment” is an interesting experiment more than a satisfying movie and features surprisingly little music. Those sensitive to flashing light, steer clear. French director Luc Besson offers his offbeat take on "Dracula." Caleb Landry Jones is impressive as the cursed vampire who spends centuries searching for his lost love. Besson's opulent, operatic approach is visually engaging, but the movie is overlong and peppered with unintentionally funny moments. "Dracula" doesn't exactly suck, but it isn't a full-blooded horror, either. Perhaps the best thing you can say about the Angel Studios romantic comedy "Solo Mio" is that it's harmless. Kevin James plays a middle-aged schoolteacher who travels to Rome with his fiancée, only to be jilted at the altar. Will he ever find love again? Everything about the script is utterly phony, but the photogenic Italian scenery gives "Solo Mio" a minor boost. The main things wrecked in the Amazon Prime action comedy "The Wrecking Crew" are cars, motorcycles, helicopters, property...and logic. Dave Bautista and Jason Momoa play estranged half-brothers who are forced to work together to solve the mystery of their father’s death. The action is relentless, and the Hawaiian scenery is "nani." But the lapse of plot coherence in “The Wrecking Crew” wrecks any real sense of peril.
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The latest Jason Statham thriller "Shelter" provides exactly what you'd expect. It's packed with over-the-top action and ridiculous implausibilities. Statham is a disgraced special ops agent hiding out on a remote Scottish island who's forced back into action to protect an innocent preteen girl, well played by Bodhi Ray Breathnach. The action gets more elaborate and sillier as the movie progresses, but director Rick Roman Waugh puts the pedal to the metal and doesn’t let logic get in the way. Don't roll your eyes too much while watching “Shelter,” or you'll miss some decent stunt work. Omar Epps and Wiz Khalifa lead the cast of the morose and violent crime drama "Moses the Black." Serbian writer/director Yelena Popovic attempts to juxtapose a modern story about a Chicago gang leader recently released from prison with that of the martyred Ethiopian saint from the fourth century. Epps is saddled with the responsibility of staring endlessly into void while supposedly seeing visions of the saint who turned from a life of crime to a life of asceticism. “Moses the Black” is bleak, awkward and as subtle as a sledgehammer. Just when you think that you might not be able to bear another Marvel TV offering, Disney+ presents the unique and involving 8-part series, "Wonder Man." Yahya Abdul-Mateen II plays a struggling actor who is saddled with superpowers that are hard to control. He must hide his outlawed abilities in order to make it in Hollywood. Ben Kingsley plays a fellow actor who may or may not offer support. Often funny and refreshing, "Wonder Man" is a knowing and engaging satire of both Hollywood and superhero cliches.
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Artificial Intelligence is once again the antagonist in the sci-fi thriller, "Mercy." Set in the crime-ridden near future, Chris Pratt plays a detective on trial for his wife's murder. He has 90 minutes to convince an A.I. judge, played by Rebecca Ferguson, of his innocence. While it gets a bit goofy and stretches credibility to the limit, “Mercy" gets to its over-the-top climax in an entertaining manner. The gentle British drama "H is for Hawk" is based on an acclaimed memoir. Claire Foy plays naturalist Helen Macdonald who spent a year training a goshawk. She used the experience to cope with the death of her father and her own clinical depression. “H is for Hawk” is relatable, thanks to Foy's performance, but never quite soars. Another strong performance from Maika Monroe can't save the depressing crime thriller, "In Cold Light." Monroe plays a drug dealer recently released from prison who wants back in the game but comes into conflict with mobsters and crooked cops. Good guys are hard to find here. "In Cold Light” is a little too cold and a little too calculated. The two-part HBO Max documentary "Mel Brooks: The 99-Year-Old Man" is a funny, loving and sometimes critical look at life of the legendary comedian and filmmaker from director/interviewer Judd Apatow. Brooks, who is both revered and reviled for his low-brow comedies like "Blazing Saddles" and "Young Frankenstein" is a natural performer who may not always be candid in his interviews, but he's always entertaining. A lineup of famous comics shares their adoration, and some family members share their criticism. Overall, “Mel Brooks: The 99-Year-Old Man” is a worthwhile overview of a remarkable life.
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It’s double feature time for fans of stalwart actor Ralph Fiennes. "28 Years Later: The Bone Temple" is the fourth installment in the horror series about a zombie infection. Fiennes plays a doctor who confronts human evil worse than that exhibited by the zombies. While gripping, well-made and genuinely scary, its graphic and sadistic violence approaches the level of torture porn. Fiennes pops up again in a movie that couldn't be more different. In the gentle comic drama "The Choral," he plays a conductor in a small English village mounting an amateur performance of the Edward Elgar piece “The Dream of Gerontius” while struggling with the challenges of WWI. “The Choral” is well crafted, but very lightweight. Matt Damon and Ben Affleck team up once again for the taut and intense Netflix crime thriller, "The Rip." Inspired by a true story but highly fictionalized, it's about a team of Miami drug agents who stumble upon a stash of $20 million in cartel drug money. The discovery sews distrust between the agents as they are forced to decide what to do with the cash, resulting in a lot of violence and intrigue. Fans of the genre will enjoy the action of “The Rip,” as well as the challenge of figuring out who the good guys are...if there are any. In the bizarre true story "Dead Man's Wire," Bill Skarsgård plays a troubled man who took a bank executive hostage over a disputed mortgage issue, forcing the media to cover the standoff. In a bit of stunt casting, “Dog Day Afternoon” star Al Pacino shows up in a supporting role. While it generates a certain level of tension, this thriller from filmmaker Gus Van Sant is really a sober study of utter desperation.
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In the very adult comic drama "Is This Thing On?" Will Arnett plays a man who tries out standup comedy as a way to cope with his impending divorce. Strong performances by Arnett and Laura Dern propel this empathetic tale, well directed by Bradley Cooper, who also has a funny supporting role. A number of noted comics appear as cynical versions of themselves. While fictional, the movie inspired by the true story of British standup comic Jim Bishop. Arnett’s foul-mouthed comedy material isn't really all that funny but still rings true. "Is This Thing On?" should appeal to those not easily offended. What's really being said when estranged family members engage in awkward 'small talk?' Indie film darling Jim Jarmusch offers a suggestion in "Father Mother Sister Brother," three unrelated stories of family dysfunction. The strong cast includes Adam Driver, Tom Waits, Mayim Bialik, Charlotte Rampling and Cate Blanchett. Surprisingly, this restrained and subtle drama was the big winner at the 2005 Venice Film Festival. The talented cast helps a lot, but “Father Mother Sister Brother” is one that will probably only appeal to fans of Jarmusch's slow, low-key style. Lucy Liu's impressive performance is the main draw of the excruciating true story "Rosemead" which is based on a 2017 article from the Los Angeles Times. Liu plays a widow suffering from terminal cancer who is forced to decide what to do with her teenage son who's struggling with schizophrenia. The intent is admirable, and the execution is competent enough. But “Rosemead” is a hard watch that offers no easy answers. It’s tragic and depressing in equal measure.
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Happy New Year. It’s time to look back and name my top ten movies, the cream of the cinematic crop for 2025. 10) THE SECRET AGENT is an oddly structured but involving Brazilian paranoia thriller set during that country’s political strife in 1977. 9) WEAPONS is an extremely original and genuinely unnerving horror chiller about 17 children who mysteriously disappear from the same grade school class. 8) IT WAS JUST AN ACCIDENT is a harrowing, secretly filmed Iranian drama about former political prisoners who kidnap a man they believe was their tormentor. 7) THE LIFE OF CHUCK is a thoughtful philosophical and ultimately life affirming comic drama about a terminal cancer victim but told in reverse chronological order. 6) BLACK BAG is a clever and twisty drama that plays like “Who’s Afraid of Virgina Wolf?” but with spies. 5) MARTY SUPREME is an offbeat character study about a brilliant but manipulative and conceited ping pong champ, set in the 1950s. 4) SENTIMENTAL VALUE is an insightful Danish drama about a filmmaker who tries to make up with his estranged daughters by making a film about his family. 3) HAMNET tells an absorbing speculative tale about William Shakespeare and his wife whose personal tragedy inspired his most acclaimed play, “Hamlet.” 2) SINNERS is a grisly vampire film that’s really about racism, Jim Crow, the Blues…and much more. 1) ONE BATTLE AFTER ANOTHER is a wildly entertaining thinking man’s action film dealing with wannabe revolutionaries. Smart and skillfully made, it’s the best film of 2025.
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Timothée Chalamet proves once again that he's the real deal in the whacky comic drama, "Marty Supreme." It's an offbeat character study from filmmaker Josh Safdie, set in the 1950s and involving the misadventures of a manipulative, conceited but somehow likable table tennis phenom. While fictional, it's inspired by the remarkable life of ping pong ace Marty Reisman. "Marty Supreme" is supremely watchable. Hugh Jackman and Kate Hudson star in "Song Sung Blue," a biopic about a Neil Diamond tribute band called "Lightning and Thunder" that achieved a degree of success in Milwaukee in the 1980s. They experience extreme highs and lows in their personal and professional lives. The stars are very appealing, but if you're not a fan of Diamond's music, steer clear. Amanda Seyfried gives a strong performance in the unorthodox historical musical drama, "The Testament of Ann Lee." She portrays the title character, the founder of the Shaker movement who was considered by some of her followers as the second coming of Christ. She attempted to establish a utopian religious society in 1700s New England but met with ample hardships and considerable backlash. The music is a mix of original songs and hymns of the era. “The Testament of Anne Lee” is dark and dramatically erratic but oddly involving. Kate Winslet makes her directorial debut in the Netflix family drama, "Goodbye June." Winslet plays one of four siblings who come together when their mother, played by Helen Mirren, is hospitalized with terminal cancer during the holiday season. It's manipulative and obvious, but the sterling cast prevents “Goodbye June” from becoming too saccharine.
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"Avatar: Fire & Ash" is the third entry in the phenomenally successful sci-fi franchise, and delivers exactly what you'd expect, 3 hours and 12 minutes of spectacular visuals and zippy action. The story, however, is very repetitive and has little to offer that's new. Plus, there's no real sense of peril. The attraction is the remarkable eye candy, so if you opt to see it, go ahead and splurge on the Imax version. The very busy actresses Sydney Sweeney and Amanda Seyfried star in the goofy psychological thriller "The Housemaid." Sydney plays the maid who uncovers some dark secrets in the household of wealthy Amanda. Seyfried is excellent but Sweeney is merely adequate in this trashy flick. "The Housemaid" doesn't clean up because the filmmakers didn’t have the nerve to go full camp...which would have been the better route to take. The strange political thriller "The Secret Agent" is a nominee for this year's Critics' Choice Award for Best Foreign Language Film. Set during Brazil's political strife of 1977, Wagner Moura plays a tech pro who is being pursued by secret foes. The structure of “The Secret Agent” is disjointed for sure, but only that adds to its offbeat appeal. The animated musical “David” is the latest from faith-based distributor Angel Studios. This well made and involving movie tells the story of the King of Israel from his early days as a lowly shepherd to his heroic defeat of Goliath and his ascension as leader of his people. The story’s violence has been toned down, but it’s still faithful to the Biblical themes and is a painless introduction for the kiddies.
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The Netflix whodunit "Wake Up Dead Man: A Knives Out Mystery" is the third movie in filmmaker Rian Johnson's tongue-in-cheek series featuring Daniel Craig as private detective Benoit Blanc. This time out, a young priest played by Josh O'Connor is accused of murdering a charismatic monsignor. The all-star cast includes Glenn Close, Josh Brolin, Mila Kunis, Jeremy Renner and Kerry Washington. They’re all obviously having fun and O'Connor, in particular, is excellent. But this mildly engaging mystery is overlong and really stretches credibility. Still, "Wake Up Dead Man" is more than entertaining enough to keep you awake. The wildly original horror satire "Dust Bunny" plays like a midnight movie for the junior high set. A little girl named Aurora, sharply played by Sophie Slone, is haunted by a giant carnivorous dust bunny under her bed. After it has eaten her parents, she hires a neighbor, played by Mads Mikkelsen to dispatch it. It turns out that resident in apartment 5B is actually a hired killer, an associate of a handler played by Sigourney Weaver. The art direction and off-kilter humor are very imaginative, but "Dust Bunny" doesn't quite clean up as it tries to stick the landing. The Amazon Prime holiday rom-com "Merv" is one shaggy dog of a movie...and that has nothing to do with the fact that it's about a canine. Zooey Deschanel and Charlie Cox play an estranged couple who share custody of a scruffy pooch who's depressed by their separation, Their efforts to cheer him up mostly fail but rekindle their romantic spark. "Merv" is well meaning, but as artificial as an aluminum Christmas tree.
Freeze Frame

Freeze Frame

Freeze Frame is a weekly show reviewing the latest movies from Hollywood's best films to independent and arthouse movies. The segment airs at the following times: Mondays 12:30pm Tuesdays 9:30am Thurs...