Freeze Frame Archiv

Second-rate Pixar movies are still better than most of their animated rivals. “Onward” is a likable comic fantasy aimed at boys in the same way that “Frozen” was aimed at girls. Chris Pratt and Tom Holland provide the voices for brother elves from an otherworldly suburbia who embark on a magical quest. It’s funny and sweet-natured, but the movie magic in “Onward” is limited.   Anthony Mackie and Samuel L. Jackson star in “The Banker,” a well-meaning true story about two African American men who get into trouble when they use a white front man to help them open a bank in Texas in the 1960s. This movie should have been riveting, but its impact is limited by a meandering pace.   Counting “Clueless,” “Emma.” marks at least the sixth adaptation of Jane Austin’s classic 1815 novel. Anya Taylor-Joy is fine in the title role of the bright but naïve young woman whose social manipulations sometimes backfire. This stylish version takes a while to establish emotional momentum, but “Emma.” ultimately hits the right notes.   Ben Affleck stars in “The Way Back,” a sports drama about an alcoholic who attempts redemption by becoming the coach of the flailing high school…

A riveting, Oscar-caliber performance from Elizabeth Moss anchors an effective and scary reimagining of the horror chestnut, “The Invisible Man.” Flipping the script to make the victim the focus instead of the title character, this update works as a full-blooded horror film as well as an effective commentary on social issues like bullying and the “Me Too” movement. Yes, “The Invisible Man” is worth seeing.   Oscar nominee “Portrait of a Lady on Fire” is a beautifully filmed and sensitively acted period drama, set in 1760s France. A female artist is commissioned to paint a portrait of a young woman who is about to be married against her will. Things get complicated when unexpected romantic sparks develop between them. This edgy drama avoids exploitation and sensationalism. “Portrait of a Lady on Fire” is warm even if it never quite catches fire.   Kristen Stewart stars in “Seberg,” the tragic true story of the all-too brief life of actress Jean Seberg, a social activist who made enemies when she supported the Civil Rights movement in the 60s. This should have been a fascinating and troubling movie but sputters due to lackluster execution.   Also opening this week, “Once Were Brothers: Robbie…

“The Call of the Wild” is at least the ninth adaptation of the classic Jack London novel about the adventures of a dog named Buck, set during the Yukon Gold Rush iof the 1890s. Harrison Ford plays John Thornton, the gruff prospector who becomes one of Buck’s multiple masters. It’s a rousing story and Ford’s presence is a big help, but the filmmakers use unconvincing computer-generated imagery to create all the animals and most of the environment. This approach undermines London’s story, giving “The Call of the Wild” has a sheen of artificiality when it should be a celebration of the natural world. The under 10 set may enjoy it, but for the rest of us, this dog has no bite.   If you think your boss is bad, check out “The Assistant.” Julia Garner, best known from her role as the hillbilly gangster Ruth Langmore from Netflix’s “Ozark,” shows her range in an excellent performance as Julia, an exploited gofer for a nasty, unseen film executive. Any resemblance to Harvey Weinstein may or may not be coincidental. This slice-of-life character study takes place over one grueling day as Julia, a recent college grad pining to break into the film…

“Downhill” is an American remake of “Force Majeure,” a critically acclaimed Swedish film from 2014. Will Farrell and Julia Louis-Dreyfus star in the story of a family on a ski vacation in the Alps. Their marriage is strained to the breaking point when Ferrell’s character engages in an act of cowardice during an avalanche. There are few laughs in this version that seems a bit watered down from the original. Louis-Dreyfus gives a strong, believable performance, though. However, her efforts can’t keep this 85-minute movie from seeming longer than it is. “Downhill” is not a bad film by any means but just doesn’t live up to its potential. It’s a bunny slope version of “Force Majeure.”   Just in time for Valentine’s Day, we’re offered the romantic drama, “The Photograph.” Issa Rae and LaKeith Stanfield star in the story of a romance sparked by a photo that sends a woman on a quest of discovery. Rae plays a museum curator whose path crosses with journalist Stanfield when she seeks answers about her mother’s life. Do these actors have chemistry? You bet. This romance is grounded in reality and manages to avoid many of the pitfalls that commonly haunt romantic dramas.…

Margot Robbie’s bat-swinging performance as the Joker’s girlfriend Harley Quinn was probably the best thing about 2016’s comic book movie, “Suicide Squad.” Her character takes center stage in the latest entry in the extended DC Universe, “Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn).” Essentially an R-rated girl gang movie, “Birds of Prey” is about the efforts of Harley and a group of female vigilantes to save a girl who swallowed a diamond from evil Gotham City crime lord, Black Mask, played by Ewan McGregor.   “Deadpool” seems to be the obvious inspiration for this broad action comedy, so “Birds of Prey” is irreverent, rude and, tongue-in-cheek with plenty of violence played for laughs. A little of this cheeky attitude goes a long way, but Robbie has created a memorable character. Her bat-swinging doesn’t hit a homer but produces a solid double.   The French film “Les Miserables” that won the Jury Prize at the Cannes Film Festival is not based on Victor Hugo’s 1862 novel, but it shares some that’s classic’s social themes. This harrowing contemporary film is a semi-autobiographical story based on incidents in the life of filmmaker Ladj Ly (LAHGE Lee), demonstrating that some…

Actress Sophia Lillis from the recent “It” films, moves from dealing with a scary clown to encountering a scary witch in the horror fantasy, “Gretel & Hansel,” based on the classic Brothers Grimm story. Gretel leads her little brother into the dark forest in search of sustenance only to meet up with a wretched enchantress, played by Alice Krige, best known as the diabolical Borg queen from the Star Trek franchise. Are you suffering from insomnia? Try ”Gretel & Hansel.” It’s the cinematic equivalent of Ambien but requires no prescription.   For something a bit more lively, try Blake Lively. She, Jude Law and Sterling K. Brown lead an impressive cast in the action drama, “The Rhythm Section,” based on Mark Burnell’s novel. Lively plays a woman who tries to uncover the dark truth behind an airplane crash that resulted in the death of her family members. When it becomes clear that the crash was intentional, she sets out on a dangerous mission to find the culprits. Oh, and Law trains her to be an assassin. All of the shaky camera work in the world can’t make this story seem realistic.   Also opening this week, “Taylor Swift: Miss Americana”…

“The Turning” is the latest in a long string of movies based on Henry James’ classic ghost story, “The Turn of the Screw.” Mackenzie Davis plays a nanny who attempts to protect two children from evil spirits. Ambiguity isn’t necessarily a fault, but “The Turning” is so vague and disjointed that it plays like a reel of film was accidentally edited out. Check out the classic 1961 Deborah Kerr version, “The Innocents” instead.   Filmmaker Guy Ritchie returns to familiar territory with the violent gangster epic, “The Gentlemen.” Matthew McConaughey plays an expat American in London who gets into trouble when he tries to extract himself from his lucrative marijuana business. “The Gentlemen” is cheeky and gimmicky, but should be a decadent guilty pleasure for many.   Alfre Woodard gives a riveting performance in the earnest social drama, “Clemency,” the winner of the top prize at Sundance in 2019. Woodard plays a warden whose job of carrying out executions is taking a massive emotional toll. Aldis Hodge is equally good as an anxiety-ridden death row inmate awaiting his inevitable fate. “Clemency” is extremely well made but excruciating to sit through.   Terry Crews stars in the bloody revenge thriller, “John…

After a 17-year hiatus, Will Smith and Martin Lawrence are reunited in the comic action thriller, “Bad Boys for Life,” the third entry in the franchise that began in 1995. These Miami based detectives are getting long in the tooth and it shows as they’re targeted for assassination by a Mexican drug cartel. Everything about this absurd and violent R-rated movie is over the top and beat-by-beat predictable, but Smith and Lawrence manage to save the day and the movie with their goofy humor and personal appeal. Watcha gonna do?   Oscar winners Viola Davis and Allison Janney star alongside young McKenna Grace in the self-consciously whimsical comedy, “Troop Zero.” McKenna plays a pre-teen social outcast in a small Georgia town in the 1970s who recruits a group of misfits to form a Birdie Scout troop. This is the sort of wacky movie that aims to charm us with its eccentricity. This sentimental, sweet natured movie benefits greatly from it’s solid and likable cast.   Actor Guy Pearce goes slumming for a paycheck in the ridiculous action thriller, “Disturbing the Peace.” Pearce plays a marshal and former Texas Ranger who goes to battle with a gang of biker bank robbers…

"1917" is a stunning WWI drama that unfolds in a single shot. Two young British soldiers played by George MacKay and Dean-Charles Chapman are sent on a desperate mission with little hope of success. They’re to cross the dangerous terrain of no man’s land to warn a British regiment not to attack German forces because the enemy has set them up for a trap. Oscar-winning director Sam Mendes based his screenplay on stories his grandfather told him about the war. The single shot approach is a gimmick, but one that works on every level making “1917” one of the most immersive war films of all time. With “1917”, Mendes and cinematographer Roger Deakins have delivered the best film officially released in 2019.   Michael B. Jordan and Jamie Foxx lead a strong cast in the earnest and heartfelt true-life drama, “Just Mercy,” based on Bryan Stevenson’s bestselling memoir. Jordan plays Stevenson, a naive but driven Harvard-educated lawyer who travels to Alabama to aid people thought to be wrongly convicted. He takes on the case of Walter McMillian, played by Foxx, a death row inmate awaiting execution for a murder he didn’t commit. While the filmmakers wear their convictions on their…

As we begin a new year, it’s time to look back at the best movies of 2019. Here’s the cream of the year’s cinematic crop.   10) The Farewell Awkwafina stars in a sweetly sentimental comic drama about an American woman who travels to China to visit her terminally ill grandmother.   9) The Two Popes Jonathan Pryce and Anthony Hopkins give splendid performances as Pope Francis and Pope Benedict who confront one another with their opposing philosophies.   8) The Irishman Robert DeNiro, Al Pacino and Joe Pesci deliver the goods in Martin Scorsese's epic, violent gangster flick. The length is excessive, but it’s an impressive, blood-soaked morality tale and savvy character study.   7) Us Lupita Nyong’o gives a stunning dual performance in Jordan Peele’s original horror thriller. Prepare to be creeped out and intrigued at the same time.   6) Apollo 11 This impressive documentary about the 1969 moon mission consists entirely of footage never before seen by the public.   5) Parasite Korean filmmaker Bong Joon Ho’s comic drama works as a full-blooded thriller and a potent social commentary.   4) Toy Story 4 It’s a brilliantly conceived and executed animated story that works as a comedy, as an action adventure…

Writer/director Greta Gerwig has pulled off a minor miracle. She's given a modern feminist sensibility to Louisa May Alcott’s” old chestnut “Little Women,” while maintaining the appealingly traditional feel of her beloved writings. Saoirse Ronan is fine in the pivotal role of Jo March and Emma Watson, Florence Pugh, Timothée Chalamet, Laura Dern and Meryl Streep round out a stellar cast. “Little Women” also boasts a beautiful, evocative score by Alexandre Desplat. “Little Women” is a sensitively rendered film and one of the best of the year.   Will Smith's charisma comes through even when he's an animated character. "Spies in Disguise" is a modest but entertaining family flick from Blue Sky, the folks responsible for the “Ice Age” franchise. This colorful comedy is aimed mainly at young boys. Smith is a superspy who is unwillingly transformed into a pigeon by a clumsy scientist colleague, voiced by Tom Holland. While it’s a few notches below the work of the folks at Pixar, the action and humor of “Spies in Disguise” should prove diverting for the kids.   "Uncut Gems" is a skillfully made thriller set in New York’s jewelry district. It’s been embraced by many critics, but not this one.…

“Star Wars: The Rise of Skywalker” is not the final movie in the franchise. It’s supposedly the end of the line for the Skywalker clan, though. We’ll see. Daisy Ridley is back as Rey, who uses the force to battle evil Emperor Palpatine and the murderous son of Leia and Han Solo, Kylo Ren. It’s visually spectacular and fan boys should be satisfied by the action. But “The Rise of Skywalker” just warms over the familiar franchise themes. The Force is with them, but it’s a bit dim.   The big screen adaptation of Andrew Lloyd Webber’s Broadway musical hit “Cats” is quite a spectacle, too. The all-star cast, the music, dancing and art direction are quite impressive. But “Cats” attempts to add gravitas to the clever but featherweight poems that T.S. Eliot wrote for children. Fans of the play will take to it like catnip. Others, skat.   News junkies will want to catch “Bombshell,” the true story of Fox News anchors Megyn Kelly and Gretchen Carlson and their bid to dethrone sexist network honcho, Roger Ailes. Charlize Theron, Nicole Kidman, Margot Robbie and John Lithgow to fine work, but the filmmakers approach the material with surprising timidity. “Bombshell”…

The bombing incident at Atlanta’s Centennial Park during the 1996 Olympics marked the beginning of a dark time in American society. The FBI and the press were convinced that the security guard who first noticed the pipe bomb and saved many lives had actually planted the device himself in a concerted effort to be hailed as a hero.   Director Clint Eastwood’s film “Richard Jewell” takes a look at the sad sack hero whose life was forever damaged as a result of the media frenzy. Paul Walter Hauser, probably best known for playing one of Nancy Kerrigan’s assailants in “I, Tonya,” is ideally cast in the title role. Kathy Bates plays his long-suffering mom, Sam Rockwell is his resolute lawyer, Jon Hamm is an overly zealous FBI agent and Olivia Wilde plays the overly ambitious Atlanta newspaper reporter who saw this story as the way to ignite her stagnant career.   The film is a cautionary tale that points an accusing finger at a society all-too eager to build up heroes and all-too eager to bring them down. As with all Eastwood movies, “Richard Jewell” is competent, workmanlike and well-acted. But “Richard Jewell” never quite captures the compelling dynamic of…

Mark Ruffalo portrays a conflicted corporate lawyer in the sincere social drama, “Dark Waters.” This true story involves mysterious deaths and illnesses in a small community that may have been caused by the malfeasance of a major US corporation. Ruffalo plays Robert Bilott, who waged a 20-year war with DuPont. As a work of social activism, it’s fine. As a movie, “Dark Waters” is modest and somber.   A demanding father puts too much pressure to succeed on his teenage son in the heartbreaking family drama, “Waves.” Kelvin Harrison, Jr. and Sterling K., Brown lead a terrific cast in this realistic, harrowing and touching tale. It’s overlong, but for patient viewers, “Waves” is an intelligent and compassionate work.   If David Lynch had collaborated with John Hughes on a teen drama about female empowerment, it might have looked a bit like “Knives and Skin.” The filmmakers of this quirky tale about a missing high school student deserve kudos for trying something different, but “Knives and Skin” is a bit too meandering for its own good.   Eddie Redmayne and Felicity Jones star in “The Aeronauts” a visually impressive historic tale about a balloon pilot and a meteorologist who risk life…